Comment On The Women-imitated Psychology In The Creation Of Dai Wangshu's Poem

Dai Wangshu is a particular poet in the parnassus of modern china. In his lifetime, he has produced over 90 poems, over one third of which represent the imagery related to female both directly and indirectly. The imagery of tears and flowers appearing again and again in his works, as a modern male poet, Dai Wangshu is inevitably involved in the mentality of female, as is shown when he speaks as a female. On one hand, he inherits the fortune of Chinese Classical Poems of fantastic imagery and representational imagery for female, on the other hand, he surpass the imagery, which he has been conceiving tenaciously, by exerting his own realistic experience of life and forming a poetic female world full of spirituality. To research Dai Wangshu's womanlike mentality in writing, and through which we hope to approach a truer poet, Dai Wangshu. This article is searching for the mentality in his writing via following three parts: First, the imagery of flowers and tears in his works. Second, female imagination-both in Classical and DaiWangshu's poems. Last, classical and modern feelings for life—the living experience of Dai Wangshu and the effect from the poem of Wen Tingyun and Li Shangyin, and the traditional intellectual's minister-concubine personality.