The Study Of The Rhyming Of The Poems In Fu Jian In Ming Dynasty

A great deal of progress had maken in the study of FuJian dialect since Song Dynasty(宋代) and Yuan Dynasty(元代). We will follow the road opened by the senior to study the FuJian dialect in Ming Dynaasty(明代). The main material of this thesis under the research come from Si Ku Quan Shu(四库全书) and Si Ku Quan Shu Cun Mu Cong Shu(四库全书存目丛书).,which contain many poems writed by FuJian"poets in Ming Dynasty. We list the rhyming characters and calculate the rhyming times to see the rates of co-rhyme to summarize the rhyming category in the order of 16Group(摄).In this research ,the sound system of GuangYun (广韵),a rhyme book of Song Dynasty, and other material about sound of the dialect in FuJian. We also refer to The Rhymine about Zhong Yuan(中原音韵) and Ba Yin Bian Lan(八音便览)..Moreover, we rule the 70 percent as the principle of independent,10percent as the principle of amalgmate.After a close study to 14576 times of rhyming which occure in 10034 piece poems writed by 104 poetes of FuJian in Ming Dynasty, the results can be illustrated as below:1.The 19 rhyming categories occurred in the collection of GuTiShi in FuJian,and 24 rhyming categories occurred in the collection of JinTiShi in FuJian2.There were mangy HeYun among those diference rhyming categories, which In I indicated some dialect phenomenon.3.It was very obvious that the combining of the tails of positive tone , which indicated some dialect phenomenon4.Much of the voiced falling–rising tone changed into qu tone .5.Some rhyming of the rhyming characteristics in Ming Dynasty poems were very peculiar in FuJian.,which stated clearly that those rhyming characteristics were developing.6.The way of rhyming in the poems under research shows more similarities to that of Song Dynasty in fujian such as the number of rhyming categories.But there are some different aspects in the two difference, such as the rhyming category of XiaoHao(宵豪部) in Song Dynasty had divided into HaoYao(豪肴部) and XiaoXiao(萧宵部). In addition ,it is more obvious that the voiced falling-rising tone became into Qu tone in Ming Dynasty to Song Dynasty.This thesis contains sixty thousand characters ,divided into six chapters. The first chapter emerged as preface which include a brief discuss of preceeding studies,the sources...