Inheritance And Reconstruction

In the design of globalization today, in the face of modern Western art concepts and design ideas spread development of modern logo design is faced with many puzzles and perplexity. Design language, particularly in areas -- not even to enter a large audience including designer-West is not in the abstract form entries into the line of sight of the masses, we have also seen the phenomenon of abuse of traditional graphic Longfeng everywhere. When we see the relationship between the source and flow, and understand that the fundamental design art, which is rooted in the variety of life, We also rooted in the nation's fine cultural traditions of the past several thousand years, Modern signs from the inherent nature of our 5,000-year history is rooted in Confucianism, that Post and other aesthetic philosophy of outstanding traditional culture and art materials.Whether traditional culture because we recognize it or not, we have an imperceptible impact on the aesthetics, creative concept, We were almost the same in traditional and unable to break away completely. Tomorrow is today's modern tradition, there is a dialectical relationship between tradition and modernity. This paper attempts to traditional symbol of modern art as a focal point of reference. Modern signs discussed the implication of the traditional cultural heritage and shape of the graphic reconstruction of the situation to a higher level of integration with traditional, and, in line with the traditional Chinese aesthetics and cultural analysis of the impact of traditional arts and modern logo design to tap the essence of the problem --- Kan was bom in the soil over several thousand years of traditional culture, and try to analyze the relationship between tradition and modernity.