Study On Creation And Playing Of An-lun Huang's Piano Music

Chinese piano music has already developed one hundred years as yet, actually, although in the possession of good praise and status, but comply with economic fast development, while western modern music hold the modern science and technology advantage spread the global, we must think this issues: How to fuse the modern technique and the tradition, How to deeply recognize the history and realism. The work of Anlun-Huang, inherited the understanding of modern music and the Chinese traditional music, is a good reference and example for us, at the same time, open a new phase for the future of Chinese piano music .The paper was made up of three parts:In the first part, it put emphasis on looking back over the history of art which Anlun-Huang has been experienced. Because of the artistic style of artists is influenced by one's experience of life obviously, Anlun-Huang's art achievement is completely the accumulation of experience and the digestion of density.The second part is the analysis of Anlun-Huang's compositional philosophy , and technique and method ,the relationship of the two is : The compositional philosophy is the abstraction of the technique and method, and the technique and method are the expression of compositional philosophy. Maybe we can consider the whole second part is the most important point of the whole paper. Anlun-Huang insists on the compositional philosophy of tonality and the interaction of Chinese and western elements. And the composer invented some behaving skills such as the mixture of Chinese folk melody, Chinese modality and western harmony, and"horizontal polytonality"base on the traditional modes.The third part is the study of the performance and teaching about《Chinese Rhapsody No.2》(that is《Overture and Dance Music》)and《Thirty Pieces In SaiBei Folk Style》.