On The Survival And Development Of Folksongs Art Within Globalization Era

The format and development of aesthetic anthropology needs not only theory bases, but also foundation of typical cases. under the guidance of the aesthetic anthropology's study—method, with the point—cut—in of the format and development of the Nanning International Arts Festival of Folk Songs under the situation of globalization, through the case of the Nanning International Arts Festival of Folk Songs, this thesis tries to probe into the ways of the survival and development of the art of songs in the modern society .Folksongs—art is a typical culture form of minority's arts in original society, which centrally represents not only the mechanism, aesthetic experiences and living environment of the tradition ethnic art. It is a necessary part of the daily life of the minority's society and plays a vital role of in delivering minority's culture. However, Folksongs—art faces the many big problems under the situation of globalization. Therefore, probing into the survival and development of folksongs art under the globalization era, is both an important discussion and a divine duty of every scholar ,which is given by the era.The thesis, through probing into the folksongs—art's mechanism of original society, supposes that folksongs art is an essential requirement of venting predecessors's sentiment at the low productivity,"original thinking|"is the internal psychological mechanism of folksongs—art's survival;"Gexu"is the basic platform of widespreading folksongs art ;"the national memory"is original power of folksongs—art's survival and development. Under the rational domination of modern rationality, folksongs—art's survival mechanism was destroyed in original society and peoples'living style , aesthetic taste and culture—spreading form have been great changed, which make folksongs art lose its original meaning. In the modern society, folksongs art is developing through dismissing itself and constructing itself."The Nanning International Arts Festival of Folk Songs"is a mode of folksongs—art's development. On the one hand, it is seeking modern artistic in the way of searching Mother's ceremony and dispelling the rigidifying daily life in modern society ; on the other hand ,it combines modern arts and traditional arts by its big contain—ability, which make folksongs art going on a popular path and shaping a new mode of popular culture development——"Nanning mode"."The Nanning International Arts Festival of Folk Songs"is not only a typical modern city's festival but also a complicated culture phenomenon, which is a product of modern civilization and traditional arts, a result of country's ideology , commercial consciousness and national culture. Therefore, it shows lots of aesthetic meanings. It seem to be a big aesthetic place where both opposing, and repairing powers co—exist and growing, declining powers. In the aesthetic place, modern aesthetic tension of folksongs art is the core of constructing modern new aesthetic mode; the"Yuyun"of folksongs art supports the carnival city ceremony;"carnival ceremony"shows lots of aesthetic senses;"Flying songs on earth"contains various forms of culture. Meanwhile, in the big"aesthetic place", it is shows plentiful modern aesthetic displays, such as demonstrating ethnic identity, national culture identity, city's culture identity, and constructing the whole world's aesthetic identity, showing national culture's modern beauty.