The Poesy Of Quan Deyu And Mazu-Hongzhou-Chan

In this thesis, the research object is the relationship between the poesy of Quan De-yu and Mazu-Hongzhou Zen. Through analyzes his poesy'contents and the art form ,the author wants to have a thorough study on Hongzhou Zen's influence on the artistic of Quan De-yu's poesy, and then in order to make a thorough research to the poesy of Quan De-yu. The whole text is constituted by the following four chapters.The first chapter is "introduction". Section 1 expatiates the background and the meanings and the way about how to do the research. Section 2 is about Quan De-yu's family and usually and general situation on his literature work, specially makes a thorough introduction on his buddhist origin; section 3 expatiating a development grain of Hongzhou _Zen as well as its main standpoint, specially emphasized " the common heart is Dao"is a core for the theories. This makes a simple definition as the base of the following.The second chapter is " Mazu-Hongzhou- Zen's influence towards Quan De-yu's poesy contents". Section 1 analyzes Quan De-yu's pation for Zen in his poesy which are involved directly on the temple. Section 2 concentrates on the performance of Hongzhou Zen's theory that " common heart is Dao" in Quan De-yu's poesy'contents. First combining with Hongzhou Zen " knowing the saint heart, then there is no other business", the author discusses Quan De-yu " has his own idea of easy in his poem", immediately contacting" living sitting connecting , all of this is Dao", the author analyzes sincerely mainly performance in Quan De-yu's poesy which are writing for his wife. then from" no thinking, then can move the root of life and death out", the author expatiates Quan De-yu's even mindset to his life self-contradict. At last, the author analyzes the mercy state of mind as "self-satisfied and then others- satisfied " in its poesy which are about send off .The third chapters explains the influence on "Mazu-Hongzhou Zen to Quan De-yu's poesy'art performance form". Section 1 through the kinds of meanings of images in Quan De-yu's poesy, especially the most important image "cloud", the passage have a argument on Mazu's words about "things in the heart" with Quan De-yu's words about "things in the idea" seems alike .Section 2 says about the style that is easy to understand and clearly express in Quan De-yu's poem, having a relation to Hongzhou Zen's theory that "Dao does not belong to fix, fixing return to bad". Section 3 analyzes "a heart which has no right or wrong, no building or making" is a common heart, kepting the view to the world result in the perfect bourn in the poesy which have no "me" in it.The forth Chapter is the game style of Quan De-yu's poesy and the influence of Li-ying' in the visual field of "Hongzhou Zen". Section 1 analyzes Quan De-yu's center position in Zhenyuan-period, then analyzes the formation of the game style in his poesy has something to do with Hongzhou Zen's theory that "behaving according to situation". Section 2 through the thinking about Zen in his poesy , the author analyzes the relationship between Quan De-yu's vexed and tired life and his happy mood, this is also an explore on the opportunity and affection for"Liying"phenomenon appears in the Chinese literary history .