Iran New Films Research

Iran, a mysterious nation in westerner's eyes, as well as a Persia kindom vanished in the galaxy of history. Nowadays, it is a truly not focus, due to the nuclear issues. However, Iran new generation, films, which·is with a speciality of silence and fenderness, is as attracting as the political issues through out the whole globe. Iran new films, with a good reputation have of the been the winners for a wards in all kinds of international film festivals since 1980s. For instance, in 1997, Iran director, Abbas Kiarotami,through his film《The favor of cherny》won the Gold palm fibre tung tree award in Cannes film festival of France. And 3 years later, a 20-year-old lady director Samira Makhmalbaf, abtained the committee award with her film《Black board》. In 57th Venice film festival, Jiafa Panahe use his film《circle of life》to defeat others and won the highest glory of《Golden Lion》award.Majid Majid , got the best nominated award for foreign film in oscar meanwhile, the award for the best film also went to him in Montreal international film festival. There as plenty of well-known award winners, such as《color of the heaven》《Apple》. The rise of Iran new films have become an important in fluential phenomenon in the world. When we fall in the focus on Asian films, such as Chinese film, Japanese film, koveanand Indian films. Iran new films have established its solid position in the world wide film field, which made the whole world shocked for it.Islamic Iran is known for its stern religious rules and extremely strick examining regulations of film. There are so many forbidden field that nobody dare to touch, such as religion, politics and sex and so on. However, under this kind of pressing atmosphere, Iran film still can find its own way into prosperity. Through careful attitude and constant endeavor.The most important point contributing to the success is that Iran film makers rooted in the local national culture and produced a great many of good films filled with strong societal conciousness, as well as deeperly emphasizing the me and concise maturity, through which the world wide audience could feel something amazing and mysterious.Iran films formed its own special characteristic during its constant exploring, which walk between reality and illusory. It is full of sincerity and fender love of human nature, as well as reproduction and manifestation bending perfectly with each other in the pure film. Iran new films formed a certain kind of easthetics, steming from the mixture of lyrical poem aesthetics and investigative aesthetics. Tracing back the origins, we can exactly see that this aetheties characteristic of Iran new films is deeply rooted in the national history and the culture, similarly originating from the native religion and poem.Iran new films are also learning from foreign good films, aiming at further development to approach perfection.Iran new film, which focus on the discussing about human nature, illustrate the returning of humanism on the narrative character. The true slight emotion inside and the warm humanity topics aways touched audiences deep heart. Beautiful and impressing real things attract out minds through those characteristics manifested in Iram new films.Iram film worked hard to make great breakthroughs and achievements in the comparingly unfavorable environment of examining system and found a suitable way for itself, leading to the establishment of influential position in the world film stage. The rise of Iram new film changed the world film structure. A distinguishing culture which is strinkingly different from western culture or eastern buddhism culture, melted into the body of world film structure.Looking to the end of 19th century and the early 20th century, both Iran and Chinese film were shining in the galaxy of world film, resulting in bringing influxes to the Hollywood and European films.When people pay more close attention to the both, we found not only the individuality but also the general character.We have to dialectically treat the success of Iran new films rather than totally approve or accept. Because by the further research we found the themes and even the characteristics are somewhat over similar. We know the truth clearly that when a single film pattern over repeated, the creation and vitality inside it would gradually fade. So we have to make dialectical analysises and find a right access to the solution.Iran new films is a good model for the development of Chinese national film, as a minor, revelation and worthy reference. According to the developing situation of Chinese film, we shall be here together to look to the future of our national film.