Transfer From Avant-garde Style To Avant-garde Spirit

In the middle 1980s, the avant-garde literature in China appears, which include these authors: Ma Yuan, Sun Ganlu, Yu Hua, Su Tong, Bei Cun, Ge Fei, Can Xue, and so on. In the late 1980s and the early 1990s, the avant-garde literature transfers their artistic style. By using the literature-social theory and text-analysis theory, this article analyses the reason and the behavior of the transference deeply, pointing out that changing the emphasis in text from style to spirit is the way of the avant-garde of literature's transference. This reason of transference concludes both the internal cause and external cause. No double that the transference is inevitable and advisable.The article is composed of two parts, including the preface, the main body.At the first part, the avant-garde of literature in China is defined.In the second part of the article is divided into three chapters. In chapter one, the author explain the definition and character of the avant-garde, and the developing situation of avant-garde literature in the middle 1980s in China. In the chapter two, the author analyses the reason of the avant-garde's transference: the leaving of readers, the begin of market economic, the lack of creating power in style, the reference of spirit title in literature circle. In the chapter three, the author takes Bei Cun and Ge Fei as example, explaining the transferring that catching the changing of spirit of contemporary person, and using belief the save the soul in hell.