Analysis Of Traditional Arts In China's Animation

In this paper, the aesthetic style and its causes of domestic animated film are studied , and the evolution of the style is inspected .I make a macro-analysis on the linkage of the film and national culture, traditional arts, ideas and concepts, and other aspects to seek a possible way to create domestic animated film and provide some ideas and methods for the developing of the film.The full text is divided into five sections.the first part is introduction, the background , significance and status at home and abroad of the subject are discussed briefly. The major researches of this paper are discussing about the content and features of animation art, and analysis ingthe art form of soil, cultural genes, humane environment for the formation of the domestic animated film and looking for the inherent dynamics for the aesthetic style, and inspecting the further evolution of aesthetic style through analysis and comparison of cases.In the second chapter, the impact of the national arts on the domestic animated art is analysised. To explore the domestic animation film art form to the nation for the performance of the creative arts practices from three points respectively, ethnic literature, ethnic art and folk music. It is rich in national spirit in the early Chinese animation,gettng the highest achievements of art especially. A variety of art performance practices are introduced in the films.It laid the foundation for the formation of aesthetic style.In the third chapter, the national aesthetic spirit embodied by the domestic animation art is analysised. I strat from the national aesthetic spirit,explore the course of development to animational arts and search the influences of Taoist culture , Confucian culture and Buddhist culture on the animated film.In the fourth chapter, I analyse the significance of traditional arts to the developing of Chinese School and explore how to inherit and carry forward the traditional elements. I look back the past brilliant "China School" by analysising the current status.Now the impact of foreign elements, the Chinese animation is to be worried, how to struggle and find crux of the matter is today one of the most important issue.The fifth chapter is epilogue, summarizing the whole paper.I promote the "China School"and pioneer the modern art form and a national style of the Chinese animation art. I expect that China's animation with ethnic characteristics can be created and get strong in the world.