On Maotsetung's Literary And Artistic Thought Of Popularization

The development of Maotsetung's literary and artistic thought of popularization does not accomplish in an action. "Movement of popularization of art and literature", originate from May Fourth Movement to the entire 1930s, offers theoretical background to the formation Maotsetung's literary and artistic thought of popularization. Even that the popularization of art and literature has received consideration for nearly 30 years, some of the correlative problems of importance do not solve ultimately. Such problems have fallen on the shoulders of Maotsetung, since he is an outstanding artist. In 1942, the problem of ambiguous concept in "Popularization" is solved by the explanation of "what is popularization?" that is, the mix of the feelings between the literary and art workers and the worker-peasant community, and also elucidate that Literature and arts service for Gongnongbing, after the publication of "Maotsetung's Talk at the Yenan Forum on Literature & Art". The problem of small circle in literary, existing since May Fourth Movement, is solved, which opens up a broad road for the development of popularization of art and literature. Content should show Gongnongbing, and describe their active and creative spirit of the masters of art. We must adapt to the Gongnongbing's aesthetic ideal, aesthetic tastes, and raise the universal dialectically combining to adhere to the "past serve the present" and "foreign to used", and create fresh and lively entertainment for the Chinese by the Chinese style. The problems such as art and literature serve for whom and how that serve does are clarified. In the current situation, popularization of literature and art (or popular culture) is in pursuit of the commercial profit, functioning as an entertainment, which downplays its significance and depth. It is of enlightening significance to adhere to Maotsetung's literary and artistic thought of popularization.