Research Of Poetess Huang'E In Ming Dynasty

Middle period of Ming Dynasty, poetess, Huang E, was accomplished in poems and songs, and was called "the talent and skill crown female class". It was the rare great feminine poet in history. However, the academic circle mainly concentrates on the creation of feminine writer communities in later Ming Dynasty and Qing Dynasty . It was although gradually thorough About Huang E research, but still very weak. It was not enough out and away to Huang E who was a well-known feminine writer. The paper is from many angles of view such as the society, historial, cultural, aesthetic to keep an eye on Huang E and her work , and tries to research comparatively comprehensive and thorough.It is mainly divided into four chapters to carry on the elaboration in this article. The first chapter introduces that her work's distinguish question, Huang E's biography and creation, in a sense, it was precisely Huang E's rough life experiences that facilitated her creation. The second chapter discusses Huang E's poem and verse. The poetry selection of Huang E was widespread, the content was abundant, simultaneously the sentiment was true and sincere, the technique was outstanding. Huang E' verse represented her highest achievement in her creation. Her verse was sincere in sensitive, very rich in theme, diverse in style. She dared to innovate in form, and had a unique style in verse field. Huang E's verse had the unique history of literature status. First, Huang E's sorrow verse introduced the verse to the woman's bedroom. She developed the new boundary to make the valuable contribution for verse literature. Next, as a feminine writer, Huang E could choose the northern melodies as the writing style, insisted the true color and plain characteristic of the verse literature, and protected songs of the esthetic style. All of these were very commendable. Finally, Huang E's verse creation craned her neck to look into the distance in woman's bedroom verse community. The third chapter carries on Huang E and Li Qingzhao in quite studies. It discusses the similar style in their song and poem creation. simultaneously as different creation individuals , the emotion expression were different in their love-sick poems . The fourth chapter elaborates Huang E's work feminine color, and penetrats from this into the question that why the feminine writer work's theme was limited in Ancient China, then points out that to a great extent it is the influence of Chinese social and history culture .