The Music And Dance Communion Between Han And Tibet Nationality After The Peaceful Liberation Of Tibet

In the history of China, the relationship of Han and Tibet nationality can be described as "of long standing", especially as the communion of music and dance. Han and Tibet nationality music both use Chinese music system, which is the evidence that these two nationalities have close relationship.Before the peaceful liberation of Tibet, the performance of Tibetan music and dance has only piazza form. The stage performance form which we enjoy today was brought in by Han nationality art workers and built by both Han and Tibetan art workers. The literatures including music and dance play important roles in the drumbeating and education work of the Marxism. Especially between 1951 and 1959, the literature drumbeating made an important role on the drumbeating of Marxism, because the two local governments the"Communist Party of China Work Committee of Tibet"and the"Gasha Government"made it difficult to publicize Marxism directly in Tibet. After the socialism alteration, the literature includes music and dance makes more important roles in the development of Tibet Region. It not only promotes the communion of the two nationalities about music, dance and cultural, but also accelerates new literary and artistic development, even enriches the entire Chinese literary arena.Nowadays, the research on Tibetology has attracted much recognition. But the Tibetan music and dance which is organic components of Tibet culture and the communion of Tibetans and other nationalities in music and dance are studied little. The research on the communion of Tibetan music and dance between Tibet and Han nationality is almost empty in our country and abroad. The other significances of this paper are as followed: we could know the development and results of Tibetan music and dance basing on the analyzing and summarizing on the communion of Han and Tibetan culture since the peaceful liberation of Tibet; this article has important theory significance for the studies of Tibetan culture including new music and new dance; it has important significance to close the relationship of Han, Tibet and other nationalities in order to strengthen the cohesion of the Chinese Nationality; it can promote the development of Tibetan culture just as the Tibetan music and Tibetan dance in order to promote the construction of harmonious Tibet.This article studies about the communion situation and results of Han and Tibetan nationality in music and dance since the peaceful liberation of Tibet, using the methods of literature, visitation, logic and so on. It talks about the review and definition of the "Tibet Stage Performance Form", "Tibetan National Singing Method", "Tibetan Popular Singing Method" and "Peking Opera and Tibetan Drama", and the concept of"new music and new dance of socialism Tibet". Hope this paper could be useful for other researches about Tibet music and Tibet dance.