An Comic Aesthetic Study Of Juggled Films And Videos In The Culture Perspective

Juggled films and videos are a popular mass culture phenomenon which brings much controversy and processes two major characteristics of the grass roots and amusement. Its emergence and rapid spreading involve many aspects of social culture. It has various specific forms, and the negative factors and positive impact exist at the same time, so it is difficult to make a unified conclusion, so this paper choose some popular films, television dramas and network short videos as targets, try to trial from comedy, excavate reasonable elements of juggled films and videos deeply, in order to display its aesthetic values and social culture significance objectively.This thesis is composed of three parts: the introduction, the body of the following three chapters, the conclusion.In the introduction, introduce the context of its emergence and basic situation of juggled films and videos ; elaborate the reason of topic choosing,the values and goals of research,the existent research achievements as well as the overall train of thought . Besides, to make clear the concept of juggled films and videos and overall generality of the research.Chapter 1 firstly traces back the cultural background of juggled films and videos, discusses the two ways and present development of juggled films and videos in China, deals with the comic factors of juggled films and videos from the perspectives of laugh, ugliness, paradox, accident and defamiliarization and so on, and analyzes the differences between the comic aesthetic features of juggled films and videos and that of the traditional , to unscramble the usual forms in juggled films and videos such as juggled sound , juggled images and juggled plot and to analyze the common four comic means of artistic expressi-on of collage, parody, overstatement and tran placement.Chapter 2 analyzes the comic operational system of juggled films and videos in the three parts of narration, role image, and dialogues. The juggled films and videos are, abidi-ng by the spirit of"juggle", to express the narrator's views, to make comic transfer of the original plot, to transfer the commonness by the grass roots images, to make degradati -on or coronation of the original or traditional images, and to achieve the comic effects by using lots of square languages and reasonless writings. This chapter also explains some features and aesthetic styles of juggled films and videos different from the traditional comedy and western juggled texts.Chapter 3 is about the comic surpass of juggled films and videos. juggled films and videos represent the folk views, and the pleasure of being present that the grass roots or the public are seeking for by the confirmation of the expression of the criticism and ide-ntification. On the other hand, the juggled films and videos have its rich humanism plot and the reminiscence of the traditional cultures. To establish its own aesthetic systems, to some extent, promotes the pluralism of national movie arts, enriches the categories of com-ic art, and creates a new comedy creation pattern.Conclusion part is pandect of juggled films and videos. juggled films and videos ha-ve its own unique comedy and aesthetic characteristics, its existence and development is the validation of social culture's democratic scale and token of social progress. We should treat this cultural phenomenon objectively, and conduct it develop healthily.