The Study Of Allegory In Ming Dynasty

In Ming Dynasty, Chinese allegory is experiencing the third and also the final climax. It use "humorous" celebrated, show person with cynical appearance. Especially, have arrived at later stage , allegory and joke accomplishing confluence, have been two kinds dignity and the function concurrently at the same time. It stretch an antenna to each social life fields. Under a playful mask, It was giving vent to the Cimmerian of real-word and giving up all hope of the rotten society. It use one kind of cynical indifferent trifle and inconsiderable personage in making fun of life superficially, but in fact it direct the spearhead at the various abuse that feudalism autocracy governs.The reason why Ming Dynasty is called a very important period in Chinese allegory history, is not completely depends on the quantity and the mass of the allegory creation which is well-known, but was more depend on it's queers sum return's pitch , shows such trend to once of written close to allegory in 2000 tradition: The main body creating changes for average toiling masses is a new resident of a city mainly, being created by the people again by man of letters literati and officialdom, reflects thought feel and attitude living of the people.The allegory creation climax displays one kind of uncontinuity, it subdivides to be around two stages, two time of climaxes: The last phase of Yuan Dynasty to the beginning of Ming Dynasty and hereafter the Medium term of Ming Dynasty. The main purpose of this book is to discuss its characteristic and historical role, analysis the two stage-climax bases on the background characteristic of times, and then starting with three-position writer of Liu Ji, Jiang Yingke, Fengmenglong, drawing the outline of "humorous allegory of Ming Dynasty".