The Practices And The Theory Traversing And Conversations

The teaching form developed and take the form of folk customs as the foundation, the theater forms of Korean academic dance, it both has one kind of characteristics of linear development, and plays own roles in the surface nature respective space independently. They connect with each other, influence each other, and promote each other. According to the way of dance morphological classification, we can divide that : the language of folk dance is focus on the self- entertainment; the language of dance with teaching form is focus on the standardizes unceasingly; but the language of dance with theatre forms is focus on the reconstruction or break the norms and creation.But the creation of the academism dance with teaching has some differences from the general creation of dance. The dance works used for teaching emphasize the professionalism, and training and aesthetic. The training is one of the most prominent characteristics in teaching plays. The creation of Korean "academic" dance emphasize to create teaching plays so that can improve the teaching system of Korean dance."From the classrooms to the stages, " as a leading creative idea of the creation of the academism dance plays a role in paving the bridge between the classrooms and the stages. In essence, is to emphasize mutual contact and mutual infiltration of teaching dance and dance creation and promotes the bidirectional development of teaching and the creation of the Korean dance.Its significance lies to Mr. Cui Chengxi mentioned in the teaching material forms "preserve the existing traditional forms as a foundation, unifies the understanding of fictionist to understand , process and make it artistic, causes it to form the plays. Then, moves back to these plays to the teaching process to promotes the course content. the creation of the academism dance was already be paid attention to, and many scholars have launched their thinking and practice to it. This has provided the advantageous ponder space and the practical material to the research of this article. But this is only the beginning.The Korean academism dance also has the multiplex creation way. The creation of Korean academism dance as a maintenance point between them, enables the create process inherits the dance style esthetics characteristic and constitution logic. But the teaching dance also respect the new dance creation, to enrich its own at the right moment. My several creation works of plan in a dance graduation report meeting is from this , according to the need of the works to carry on the artistic processing and maintains the national styles and spirits at the same time.The pursuit of these works of art is not new breakthroughs, but take a Korean dance vocabulary as the foundation, uses single dance individuality and the techniques of modern dance creation, achieves both inherits North Korea ethnic dance tradition, and has the contemporary innovation and the development, causes these works to manifest the standardized teaching characteristics of the Korean dance . Testing their knowledge in practice, enriching their theories, insisting on the integrated development of theories and practices.This article carries on his own and other people's the theoretical analysis to the creation practices traces , integrates the dance creation practice to the speculation system in pondered that the discrimination and the promotion, give the theory elaboration. Meanwhile, the theory view point which in this report is my own pursuance, and provides the theory basis for the dance report meeting planned by me.The significance of this paper is the theory explanations of trail reports and the dance report meetings. so that made the theory and practice of Korean academic dance have communication in cross and extension in vertical, and provides examples of model information and ethnic dance theory. provide a solid basis for practice and application theoretical basis on the dance actors' action , creation and their theory . Also supplement and consummate the deficiencies of the earlier period practice and the research. Providing the conversation between the practicalities and theories, practical basis for future practice and theory, and new "View" for the next practicality and theory.This paper first discusses the Korean academism dance with teaching form and the theater form , and take the folk custom form as the foundation. Then , elaborates the creation development and the type of create plays of Korean academism dance. Finally , taking the dance on self-performing as the premise to elaborate the self-performing and the art practice. The overall conclusions of the full text carries on the summary to the self-dance art practice while gives a summary of the paper .I have three reasons of I take my own dance art practice as "the graduation report meeting" and carry on the research on the Korean academism dance system in the article . First, my artistic practice, in the dance environment carries on including the performance and the creations are all in "the academism", the works I contacted, almost belong to "the academism" or we can ssy the dance in the teaching plays system. Second , my creation is the baptism of academic dance, enter the stage after the formation of graduate students. More or less inevitable penetration of the academic dance creative tendencies, and my own views and ideas of the academism dance creation. Third, the stage of the study as the graduate student , my creations seeped the introspection consciousness to the academism dance more or less, as well as the rationality pondered. I want to make my own effort for the growth in "the academism" the dance creation.This article takes the works of the Korean academism dance as the premise, uses the linear inspection method of the dance history, the dance territory surface inspection method, the dance level spot inspection method to be the research angle of view to carry on the analysis. Carries on the analysis by the linear vision to the Korean academism dance's formation and development of the Korean academism dance. Carries on the research to the method of create with surface version. Carries on the deep analysis by a vision to the types of plays. Take this as the foundation, I give a theoretical explanations and take my own performance and the creation practice in this system.