LiuBai Of Chinese Language Movies During The Transition

In the light world, meaning the movie is a wide variety of means. Chinese movies to draw Liubai of traditional art painting is intended as a means of its one of the manifestations of this unique film work can be given a unique artistic charm, to enhance the aesthetic value of visual arts is particularly important.At present, the method Liubai was particularly prevalent in the painting, the discourse of architecture. However, in movies on academic research of it is relatively small. Liubai to use in movies, to retain the form of its diverse and complex, and sometimes it can go beyond the subject matter of the film work limitations, with the creation of Yijing, brought the audience to imagine the value of space.Liu bai internal and external emptiness rich traditional Chinese culture is a concrete manifestation of artistic content. 40 in the early 20th century to the late 80's,Fei Mu's"Springtime in a Small Town",Xie Jin's"Hibiscus Town",Chen Kaige's "Yellow Earth" and other films for the Chinese movies into the fresh air. In these movies use the scenery shot, and create the atmosphere of the film narrative a poetic expression, while the director of the objective lens with its deeper understanding of the world. The use of the scenery shot is the perfect Liubai to create the focus.After age 90,Economic environment to improve and stan- dardize the cultural market of the continually, with "Taiwan,HongKong and Mainland" in-depth film co-operation.A variety of films are competing against each other, enriching the film type. Chinese-language movies directors for the development of a hook painted colorful picture."Easy to directly reveal, diffcult to indirectly express."Aesthetic ideal of a director of the Chinese style of their predecessors, as well as through the extension of a variety of innovative means to expand the content of film composition, flexibility in the use of the method Liubai for the audience's appreciation is a wonderful style. Because of the types of transition rich Chinese-language movies, the method Liubai to be an in-depth development.Liubai itself means "poetry" and the philosophy of the system to explore Chinese-language movies directors use of Liubai is meaningful. Liubai study is to use logical thinking sort of the term has the idea of wealth, and on this basis it is more widely given the connotation. Liubai of the last people to understand there are often limited to the art of practice. This article attempts to traditional Chinese aesthetics and cultural point of view, in based of the 40's Chinese films, since the 90's Chinese-language movies Liubai special artistic appeal and typical use of this paper, and analysis as the core.First of all, the analysis Liubai of the photographic composition on the screen layout, the importance of lighting design. The symbol of the value in the scenery shot, not only implied the theme of the film, or the subjective feelings of the audience to life the rich and the expansion of charm; Secondly, the analysis of the music paragraphs in the classic Chinese-language movies, through analysis impressionistic tone and realistic sound , pointing out that the sound is a film critical factor expression, it quietly to the background way to achieve synchronization with the role of the effect of deep emotions. Thus the spirit of music to express through Liubai, implication to create works of art and spirit of film; Third, to explore Liubai to the role of performance, pointing out that the length of Liubai on the role of emotions. Liubai can be a metaphor for the unique language of film than the figures and rich aesthetic Yijing itself; Finally, further study Liubai of the circumstances of narrative strategy for the overall value of film. The "symbol" is specific to Liubai and the "suspense" is a deliberate Liubai in narrative strategy circumstances.Liubai in the transition of Chinese-language movies audience to play in the dissemination of the results, becoming a new perspective to explore in this paper. Liubai to the use of the aesthetic sense of the audience was satisfied, and to mobilize the public's knowledge and experience with actively participating in the meaning generation of movies, So that they can be further gain some insights and inspiration in life and make it the new implication of the exploitation. Finally, the point Liubai in the future development of Chinese-language movies that need to pay attention to the issue of sound, with more practical guidance. Looking Liubai's prospects for the development, pointing out that the aesthetic taste of the people need to continuously enhance, Liubai is the use of the techniques unfamiliar to the general public," Defamiliarization" is to mobilize the best way of popular aesthetic aesthetic recreation.