| This article, which is based on the characteristics of language and styles of the landscape-painting in Song dynasty, mainly researches the characteristics of realm-making of landscape-painting in the two Song dynasties, and analyze the origination of every sect, form presentation of artists and reasons why the meaning came up, and studies the characteristics of landscape-painting structure, the way that artists used, aesthetic interests, implication, specialty of culture and attitude of value. At the same time, we try to find the way to translate the forms and transmission of mental value from the characteristics of realm-making of landscape-painting in the two Song dynasties in the contemporary era. The article mainly talks about some factors as below.1. According to Jinghao's painting named painting methods; I try to expound the characteristics of landscape-painting which means only classical perspectives researching can make things truly. Based on his dialectical cognition on ink and writing brush, people realize that the course of realm-making contains of artists plain research progress. Mountains in landscape realm that people in song dynasty made were readable and plotable, and they were progress under the concepts of visual illusion, this had something to do with people's understanding of fortune, and at the same time, the article explain the creating conception of "a pool in ten days, a stone in five days".2. The article expounds the deepened progress of realm-making in song dynasty according to landscape painting subjects meaning and extend of detail and topics. And this article tries to talk about deepen of the two song dynasties through the analysis of style changes. Based on comparison of attitude between green mountains, blue water and black - white landscape painting, mixed with example of Li Gonglin's works, I want to make those conceptions of ancient painting methods orderly.3. based on the relationship of formation , fortune learning and analysis of transmission of sects' language to shape, this article find that the development of language of song dynasty landscape painting is a progress of extend and enrichment of painting structure., according to language of painting ,we can study the relationship of style and shape characteristics, as the development of Chinese painting promote landscape realm-making to a new high level.4. According to the perspective of traditional philosophy and landscape painting structure, the article tries to make a conclusion of effects which originated from science that affected painting and landscape realm-making in Song Dynasty, and analyze the poetic landscape of the Song people, we realize that the most valuable thing is that they put the conception of poetic room into the painting structure, and spirits of visual language were stressed poetically. Besides that, on the research methods, through the examples of expounding the ancient painting works and reading of masterpieces of song landscape painting, the article manages to find the progress of features and structures in song landscape paintings, and make it clear that spirits contained in examples of realm-making.
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