Brilliant Grandiosity And Steady

In my opinion: Modern fine brushwork painting of beauties must be based on the culture of Tang-Dynasty fine brushwork painting of beauties, which is the source of the modern fine brushwork painting. Chinese fine brushwork painting has to be stylish, self-confident, and it has to establish its own standards and propositions, so the Tang-Dynasty fine brushwork painting are our model.This paper discusses the origin and the germinal relations of Tang-Dynasty fine brushwork paintings of beauties (also known as QiLuo figure Paintings). It described the political background, aesthetic fashion, artistic style of Tang-Dynasty Spirit. By representing Zhou Fang's and Zhang Xuan's fine brushwork painting of beauties as a model, it carried out a wide range of discourse and research about the Tang-Dynasty fine brushwork painting of beauties from content to form, the artistic value to the aesthetic content, performing the brilliant and orthodox style of Tang-Dynasty fine brushwork painting, also trying to define its developing spirit, in order to rise the revitalization of contemporary fine brushwork painting of beauties, thus sorting out a more clear and specific method for acceding and innovating the ancient tradition, so as to provide us many inspirations of contemporary fine brushwork painting. In the circumstance of economic globalization, the Chinese fine brushwork figure paining is facing with a risk which is not decline but our contempt against art, this attitude leads us to self-marginalization and alienation. The culture and traditional foundation of Tang-Dynasty fine brushwork painting of beauties is important for us to produce creations base on acceding the tradition.At the trend of internationalization, as Chinese people, we have the obligation to maintain a traditional duty.