Analysis Of The Works Of Several Expressional Oil Painters In The Context Of Oriental Freehand Brushwork

In modern times,the communication between Chinese and Western culture is gradually frequent,and Chinese oil painting is developing in the direction of diversification.Oil painting,as a kind of foreign product,has a continuous impact on Chinese culture.At the same time,there are a large number of Chinese artists,such as Zhao Wuji,Zhu Dequn,etc.abroad,Lin Fengmian,Wu Guanzhong,etc.at home.Under the background of Oriental culture,they finally form their own unique artistic style by learning western art.Expressionist painting originated in Germany,which had a wide and profound influence on the northern European countries in the early 20 th century.Expressionist painting takes works and materials as the carrier,pays attention to the expression of the painter's inner feelingsIn the early 20 th century,schools or groups had been formed in the West.Influenced by the world-wide modernism,Chinese oil painting reflects a cultural phenomenon,which is also the overall trend of the development of Chinese oil painting.Under the background of Oriental freehand brushwork,some Chinese oil painters studied western modernism oil painting,and combined with their own growing environment,artistic pursuit and thoughts,gradually found out different painting forms and theoretical systems from traditional painting and western modernism painting,and showed the spirit of Chinese freehand brushwork in different ways.In this paper,starting from the study of several styles in Western oil painting in China,we will sort out and summarize their styles,and then briefly describe the origin and development of Chinese freehand painting.Finally,we will take Su Tianci,Xu Donglin and Duan Zhengqu,three expressive oil painters with Chinese freehand spirit,as the research objects,to analyze and study their humanistic background,artistic ideas and oil paintings,To point out the direction for the author's study.