Contemporary Sculpture, As The Image Of A Study

East and West in the history of the development of sculpture out of the development of two different roads, take the West in general as a sculpture in a sculpture-based realism and the road had a Michelangelo, Rodin and other masters, only a few hundred years sculpture in the abstract, materials, etc. have done a lot of exploration, and traditional Chinese sculpture for thousands of years in development, is taking the same image in the main aesthetic different from the Western tradition of realist sculpture sculpture images. As a result of the impact of two world wars, the entry of Western culture, "54" after the Chinese sculpture sculpture as a whole, education, works the same way, the lack of creative thinking, evaluation system Westernization, the traditional Chinese image of sculpture in this increasingly withered tree. In this situation, this paper sculptures in the shapes to absorb the advantages of the West at the same time focus on the national, the regional culture, mining aesthetics of traditional Chinese imagery. This article is also aimed at the West as a sculpture with the spirit of Oriental imagery convergence, seek to establish a foothold in the spirit of local culture in contemporary China as a system of realistic sculpture. At the same time with the article as examples of contemporary sculpture to explore the language of nationalization of successful exploration and vocabulary, mainly small-Feng Yin, Professor of the "new figurative sculpture" language is analyzed and sorted, analyzed the contents of his creation, characteristics, and tap him on the national shape their own image in contemporary Chinese language in the form of sculpture into. China's contemporary sculpture with the national character as to make a positive and meaningful exploration of contemporary Chinese sculpture to find the source of the soul, a deep excavation of the body sculpture Chinese language and aesthetic.The article is divided into four sections.Chapter I: China's image of a sculpture as the need for research.Chapter II: The Chinese language of contemporary sculpture intentionality involved in the case of the vocabulary.Chapter III: Professor Yin-fung, a small sculpture Interpretation.Chapter IV: sculpture as a present intention of the performance of significance.Make foreign things serve China, the past serve the present, in the face of the diversity of contemporary art pattern, visual changes in the way, stick to their convictions, rooted in the spirit of Chinese culture. The creation of contemporary figurative sculpture in China.