Finding A New Way Between The Traditional And Modern Chinese Contemporary Figurative Sculpture

Figurative sculpture in China has a specific context and institutionalized expression.As a result of China's realism tradition in sculpture education system since The 20th century,making the vast majority of basic skills of the traditional realist sculptor,gathered at the camp where realism left turn right,hoping to find originality in the field of modern sculpture where form is almost exhausted.I wonder if this is the development of Chinese contemporary art is the inevitable result of this,or a political and artistic misunderstanding.In any case, in opening and pluralistic environment,the art of realism,figurative expression of contemporary art in the context of exploring the possibility, almost became academic as the representative of the artist's collective anxiety.This paper discusses the language of the figurative sculpture in China's development and the problems,also combing the Chinese figurative sculpture's pedigree and context.While China figurative sculpture lost way in the impact of modern art,it is inclusive of post-modernism and pluralism encountered a variety of artistic features. Post-modernism for the new era as a Chinese figurative sculpture provides a theoretical exploration of the source,to our traditional figurative sculptor of the provision of a number of new path for exploration.This paper also analyzes the succession of China's contribution in the language of a sculpture as the direction of local culture,and discuss new realism in the development of several representative sculptor and their sculpture of a figurative language as a new way to explore the history.The new way of different from the traditional realist sculpture and modern sculpture art of the performance of a new point of view,is a sensible"compromise." Different with the traditional sculpture language,the new way of the figurative sculpture exploring reflect the diversity of the arts-oriented. In practice,the authors made their own pace,I Went to China's ethnic minorities edge in depth the reality of life,concerning about the orphans, trying to reproduce the complexity of the edge of the inner world of children,reflect the language of emotional expression's efforts. Although,the folklore is the traditional subjects,the difference is that the author express on the edge of the spiritual world,at the same time I hope that in China can do something in figurative sculpture in a new way exploring.