An Exploration Of Ladies Painting In The Ming Dynasty

Ladies draw in the Ming Dynasty is a very important but the lack of an overall study area.In this paper, according to Ming Dynasty and the decline by Sheng presented by the three historical periods, basically corresponding to become the ladies draw the development of early, middle and late three times, the formation of the different stages more obvious manifestations. All stages of the main UNITA emerged in the genre painting, and guide the trend of the style and the impact of when the world famous, have emerged across the stages of growth and decline of school, change the general trend of their development can be twists and turns, and when the turmoil.Early stage (1368 ~ 1505) painting, the main hospital to uphold the Song court style body painting and the "Zhejiang School" as the mainstream, mainly exert missionary function, rather narrow subject matter, reflecting the real life rarely works the ladies draw.The medium term (1506 ~ 1566), Suzhou Jiangnan area has become the economic, cultural centers, contributed to place School - Miss formation of door-to-door. 4 of Wu Tang Yin, Anglophobia created many ladies paintings, forming a Ming Dynasty Ladies draw creative aesthetic trend with time. In the late Ming Dynasty Ladies draw a clear trend of decline, follow the example of Wu Tang Yin, Anglophobia, from small portrait of the increasing flow in Laguna Sophie extravagant, the type of insignificant small eyes of ladies, a mass side fragile.Late (1567 ~ 1644) appears to take shape the way exaggerated deformation ladies are artist representatives, sweep away the problems. At Zhejiang School and Wu faction outside a unique, blazing a "humble not Qiao Nanjing, Nanjing ugly not-mei," The Art of the road. Possession of this thesis in the detailed text on the basis of the information, drawing on previous research results of absorption, the integrated use of literature, psychology, sociology of knowledge, through literature, comparative analysis, examples of law, the image of the study approach, Ladies draw on the Ming Dynasty and sort out a study to examine the literati at the time of feudal ideology, the public sectors of the aesthetic interest of the Ming Dynasty Ladies draw the impact of creative effort to interpret the image of one of ladies breakthrough.