Research Of The Art Feature And Cultural Continuity Of Glyphic Art For Door And Window In Hui Zhou Architecture

An Hui, a fair place tend to produce outstanding people with green hills and clear water especially unique historical context. The historical event that the Central Plains people migrated to the South China has brought extensive and profound Central Plains culture to Hui Zhou. In this historical and social condition, the tradition Hui Zhou culture has been meaningful and profound. One of them is the glyphic art for door and window in Hui Zhou architecture.In this passage, the general strategy of research is combining historical, social and regional context and the method of research is on site investigation. At the beginning four chapters, the emergence, development and evolution of existing glyphic art for door and window in Hui Zhou architecture is dimensional discussed in the necessary culture view of historical process. The art feature of wood glyphic art for door and window in Hui Zhou architecture is especially discussed and meanwhile, gives it relationship between Chinese literature, art painting, traditional opera and humanistic context. The passage demonstrates the ideas of guiding artistic creating, implication for topics, use of materials and mood to describe of this art style, and illustrates the acquired achievement of wood glyphic art for door and window in Hui Zhou architecture by integrating theory and practice. The passage also analyzes its reflected social custom, economic background, art feature and unique contribution for national culture. At the last two chapters, in the foundation of formula development of wood glyphic art for door and window in Hui Zhou architecture, the passage summarizes the unique feature of this art style, reveals the thorough connotative meaning, having a comprehensive, exact and systematic grasp in the organization concept, status and affection of wood glyphic art for door and window in Hui Zhou architecture. Meanwhile, the passage also compares representative traditional glyphic art for door and window of other regions in order to give a basic regularity of composition. At last, the passage combines successful contemporary project, analyzing the element of wood glyphic art for door and window in Hui Zhou architecture practically, which is used in contemporary architectural decoration design, in order to provide use for reference. As an essence of traditional decoration art, there is little written material leaving for research. This area of theorical research is still virgin ground. This passage intends to start further discussion on this issue by full and accurate analytic demonstration, hoping more deep research make this valuable cultural legacy protected, inherited, learnt and developed well.