This dissertation is the study of the Woytowicz's Modern etudes for piano. It discusses the difference of creative practices and the purpose of creation in capriccio and the past of the etude for piano . The dissertation is including three chapters. The first chapter Described all Woytowicz'life and his creation. The second chapter analyses the environment of music, the history origin of the etude and the general development of the etude in twenties century. The last part analysis capriccio form title, music, keynote, rhythmic, percussion style, harmony, transfer mode, piano recital by skill. In the end of the dissertation, the author points out that the development of the etude for piano is actually the reflection of the development and transition of music aesthetic ideas. Then the author puts forward the views in right about how to play the capriccio.
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