169 Cave Binglingsi Statue Art Style Mural Research

Grotto art in China in the history of the development, grotto art Binglingsi occupy a heavy one, it's early artistic style for the study of Chinese grotto art has a very important value and significance of Buddhism in India is also affected by bullock Gyro style and Mathura Latin America witnessed an important impact on the style. At the same time, the statue Binglingsi 169 caves with murals of a variety of artistic practices eclectic blend of both India and Western practices and strong mixed traditional painting style of the Central Plains is in the early caves more representative and typical of the caves, it is relatively concentrated China's response to the characteristics of early Buddhist art. It is early research during the same period of Buddhist murals and statues in Hexi Grottoes murals are an important value, while the form of modern Chinese painting language conversion and reflection of the times there are very strong and the significance of reference.169 Cave Binglingsi existing research mainly from the history, archeology, the point of view of Buddhist themes in the 169 cave murals of the contents of the statue, the form of research to make a detailed study, but the lack of a profound and systems Aesthetics of the 169 caves of the West presented by the unique artistic style of the period there is no comprehensive, integrated, systematic and comparative analysis.But the fact statue cave murals of 169 unique expression formed by the rich and diverse artistic styles and aesthetic significance of the mural painting of the research and development process of China's important to everyone.Department with the previous literature, this article focus on the art of 169 caves formed style and style factors, the specific details include: 169 Cave austerity with straightforward, decorative, and freedoms Billiton, movement of students and briefly trace Dan, national conditions and customs such a strong artistic style. Artistic style and the impact of these factors, in addition to key gyro by India and Mathura Grottoes mural style and the impact of the Western Regions, and more importantly by the impact of the Central Plains tradition of painting, which is one of the Qin and Han Wei, Jin, wind and the impact of the beauty of the factors It is easy to be overlooked. In this paper, the use of research methods formalism, combined with image science, color science, methods and style of learning, such as theory, research and documentation in the image sorted based on the 169 on Cave of the artistic style of the existing statue to a concrete analysis of the murals to the murals statue of the creative approach and appreciation of the aesthetic experience as the starting point, analysis of the artistic style of the statue murals; specific murals and then the statue as an example, the form of murals, color, content, and creative techniques to conduct in-depth analysis of areas such as feasibility studies, on the murals and statues shown by analysis of visual phenomena, 169 cave wall paintings to explore the concept of the aesthetic; murals statue will be presented to the artistic styles and cultural origins of the prevailing social linkages, and reveal the artistic style of the murals and the formation of the relationship between factors. At the same time learn from a comparative point of view of their caves during the same period of the Hexi representative group Shangtianti Hill, part of Maijishan horizontal murals made comparative analysis of the statue will be more clarity of its style of art. 169 Cave of the statue art style mural studies On the one hand, from the perspective of visual perception of the creation of murals and statues with in depth knowledge to appreciate, on the other hand, confirmed that foreign culture is more traditional culture of the Central Plains Cave Team 169 statues of the impact of the murals, from traditional to seek to learn from the modern Chinese painting bring a little enlightenment.