The Studies Of The Divination From The Thirteen Classics Cited By The Tang And Song Commentary

The Thirteen Classics Tang Song explanatory notes and commentaries plays an important role in the study history, which has a tremendous impact on society. The thirteen classics Tang Song explanatory notes and commentaries have quoted massive divination (Chenwei)book material,which has a important pole of the study of Divination in the Tang Dynasty and the early Song period about the spread and impact of great value.The quotation divination book has 957 in the mark table of contents in the Thirteen Classics Tang Song explanatory notes and commentaries,blonging to 116 parts. In this material,Lijizhengyi is the most,Mengzishu was quoted less sparse. Commentary by Chenwei Tang various articles cited most frequently is the "Spring and Autumn latitude", citing the least number of the "Analects of Confucius latitude"; is it the Song Dynasty also. Kong Yingda's Maoshizhengyi quoted the divination book literature frequency to be highest, but the frequency of Sunshi's Mengzishu is lowest, the former is the latter's 80 times. Kong Yingda and Jia Gongyan, Xu Yan, Yang Shixun Chinese explanatory notes and commentaries quotation divination book frequencies was basically the same frequency. They came from the Song Dynasty, Tang Kong Yingda, Jan Gugongyan, Yang Shixun, Xu Yan cited in the Commentary by the frequency of Divination was consistent and generally higher. while Sunshi's Mengzishu in reference to the frequency of Divination Divination with the Commentary by Citation was significantly lower than the frequency.From the statistics of all by the Divination Literature number of occurrences and frequency of the different, we can see the main Commentary by those on Divination literature familiarity and attitude towards the different, and thus may Tang and early Song Divination literature spread position is a general understanding.Standard Interpretation Commentary by Tang Dynasty such as those on Divination reference number and frequency of high, an important reason is that in the early period of Tang culture Divination face political treatment have greatly improved compared to the Sui Dynasty, divination literature at the time of the conservation status relatively well, Kong Yingda's Che wei and others on the relatively familiar with the literature, and generally do not place too much of their prejudice.Xingbing and Sunshi, who lave in the Song Dynasty, the cultural of the Divination was also very popular. Mysterious Divination in the Song of social and cultural prosperity, based on the time of Emperor Song action by Fengshan,Chenwei popularly was trended toward a more mysterious peaks by Songshenzong. Sunshi and Xing Bing had taken on a completely different attitude on Chenwei in the same time. Compared with the same generation, Sunshi, the idea seems to have advanced and alternative, but actually his thought was thought to represent the academic Song Dynasty, while Xing Bing and others in the Luyushu\Eryashu\Xiaojingshu reflected in the literature on the attitude of Divination, but the late Song was the different ways of thinking. Xing Bing and others cited the Chenwei in the high frequency reference in Divination literature, more like Divination culture falter and using borrowed. In its later, Divination literature accompanyed supporting their Divination culture, with the with the rise of Neo-Confucianism, inevitably seeked for a dead end. In this sense, Sunshi, could called the pionner of opening a new trend of the Neo-Confucianism.Because the Thirteen Classics Tang Song explanatory notes and commentaries take the official definitive text in the important position, quotting the divination book literature had affected a great extent thought of the people from Tang and Song Dynasty.