The Application Of Chinese Traditional Auspicious Patterns In The VI Design

Traditional auspicious patterns in China's treasure-house design the most important and brilliant part of the contents of which are mostly positive, healthy, happy life in the pursuit of perfection, we should inherit them down, past serve the present, the creation of a new era of innovation and development characteristics of "auspicious patterns," draw more inspiration and enlightenment, to make our life richer, better. In modern society, our country's VI design lessons of foreign elements in the latest fashion, we can not abandon our traditional auspicious patterns, and to take the initiative to projections of China's ethnic characteristics. The Chinese traditional auspicious patterns to transform into modern culture, Outstanding works to design, VI design in order to better towards the borders. So, how kind of Chinese traditional auspicious patterns and better integrated into the design of modern VI is worth considering and exploring issues.This paper first discusses the promotion of Chinese traditional auspicious patterns and development, mainly expounded on China's traditional auspicious patterns in the modern design of the application VI need not ignore the characteristics of their own civilization and national character, should inherit and carry forward its profound connotation . Second, discusses the origins of Chinese traditional auspicious patterns and types, through the euphony, the implied meaning of the performance by such means as a symbol of their yearning for a better life, away evil attitude towards life of a complete art form. It not only brings people to the visual sense of beauty, but also to bring people to spiritual enjoyment. Then, for the VI design of modern Chinese traditional auspicious patterns of the reference, and how to work with traditional auspicious patterns like the combination of better done some case studies, a fundamental part of this article from the traditional auspicious patterns of the "form", "color "," meaning "to analyze three aspects, namely," form "Reference and extraction to give new life to colors on the" meaning "as relying on the excavation. Highlighted the "form" feature mainly from the "deformed change color", "summary and Reconstruction," "the pursuit of order and beauty," "an idealized form of the" four aspects, to transform and innovation. Pointed out the Chinese traditional auspicious patterns in the VI design application is a historical necessity.Finally, from the perspective of society and the Chinese culture to analyze the succession of traditional auspicious patterns of functional value orientation, as well as the development of society in the future. VI design with traditional auspicious patterns are not conservative and old-fashioned, auspicious patterns in the VI design has fully proved this point. Because of China's traditional auspicious patterns have a profound cultural heritage, traditional Chinese culture is glow with charm, but good luck in the culture is very spiritual and cultural characteristics of this product, and its formal beauty and deep ideas also gave us a lot of inspiration. Hence, we have the traditional auspicious patterns should not only inherit but also to introduce newFor the Chinese traditional auspicious patterns, the deeper and more urgent has a special meaning. Today, advances in the information age, has a rich content of various traditional auspicious patterns and modern design combined VI, has entered the modern life, revealing a new dynamism, which is the inevitable trend of historical development. So to sum up and order Chinese traditional auspicious patterns and to create a VI design national characteristics, it is very important.The future development of corporate image design is based first of all we inherit and carry forward the fine traditional art and contemporary fine arts based on the results, based on their own and face the world, a positive reference and absorption of foreign art all useful things for us. However, one thing must be certain: the more the nation, the world will be more. With the new technology, new materials involved, the future of China's VI design could be other people's impact can stand tall Yu Lin national art world, in the final analysis is that depends on the art of Traditiona Chinese Art Succession and Development, China VI design to achieve better development, Need to build in China, based on the traditional auspicious patterns.Chinese traditional auspicious patterns for some people than a large tree roots in China's geography and culture of the soil, the germination process in all stages of the stretch in sticks of vomit leaves show their talent. Each walked a high crown is our tradition. In short, this tree is the Chinese art, tradition is under the tree branches. Root system make it a long history, rich content to make it sturdy branches, making it a unique quality of grace during testing, not racial, cultural, not bad, it will grow strong. Responsibility of each generation of artists is to give the crown to add new high, new colors and new posture.It is inevitable to go through tradition, thanks to tradition and become a new tradition, but in the end of the mission is hard to absorb nutrients in the sun stretching themselves to make Chinese art is more stalwart lush trees. So China's traditional cultural injected into the VI design, VI design will inevitably make China a more cultural and social. So we inherit and carry forward traditional Chinese culture is also an auspicious inevitable social development.