From Phantom To The World As

With Opening of Shanghai, and the development of settlements into the 30s of last century, Shanghai's rapid economic rise has been grafted into the traditional society in the modern city. Speed influx of Western capitalist civilization, so that in just a few decades Shanghai completed a magnificent transformation, as if overnight from the traditional to modern. These gave the modern novelists who reside in Shanghai in complex urban emotion and experience, with unique feelings and experiences, they engaged in self-interpretation for this city, thirty or forty years in the last century novel composition in Shanghai imprint their own distinctive stamp.Mao Dun, New Sensation, Eileen Chang as the representative of the modern novelists who are in their own way readers interpret the city, while they in turn own understanding of the city, through the artistic drawn in different forms of the novel, the spirit of and character of the city image. Has a complex history of cultural ideas and content to the modern novelist in Shanghai also provides different levels of experience in different ways, emotion and expression, Shanghai also has a rich and varied, and therefore three-dimensional image."Midnight" in Mao's attempt to frame realistic strokes from the grand panorama of Shanghai, "seeks to complete the whole era may reflect all the richness and complexity." And urban literature compared to other manifestations, are the historical struggle of Mao Dun model to class confrontation in the city, people struggle to express an excitement as the main line, change a significant difference between rich and poor urban society. Mao creatively to arts epic of courage and boldness of the literary image of a lively Shanghai overall outline. New Sensation to grab the most representative modern city images, situations, modern Shanghai's Ambilight to modern feeling to be a new experience, aesthetic and modern aesthetic form of Contemplating the evil big city beauty, fashion, the United States. If Mao's victory in the grand map Shanghai scenes and architecture, the feeling that the new school in the city, "Modern Color" keen to capture the superior, they have really captured the essence of the decadent paradise of adventurers, but also prominent interpretation of the hurricane advance was the modernization of the wave of the city's sense of oppression, loneliness. Ailing abandoned the New Sensation of feeling, but the composition will be in Shanghai to those who sneak into the deep characterization of the external prosperity, the foundation into the daily life of Shanghai people go. She tried to sketch out the stable, static, daily Shanghai, writing under the loud and noisy and dusty alley in a large garden in Shanghai. For this she was in love with the city, Eileen Chang is not only just a bird's eye view or the feeling of who she apparently seamless and Shanghai City, and the resulting urban experience of the profound and unique image of the city to make her characters more concrete, clarity, and more authenticity, and Zhang Ailing really close to Shanghai's flesh.Mao Dun, New Sensation, Eileen Chang novel in the history of the modern masters of self unique aesthetic vision, their composition in Shanghai propped up another one level, so that "literary Shanghai" won the three-dimensional multi-dimensional space. Mao Dun's ambitious composition, coloring and a new sense of their skills, fine copy of Zhang Ailing's fine moment, precisely because of these outstanding "portrait masters" were fiction, "literary Shanghai" is so vivid, so present in front of us, one can not Saying the city from the modern novel left a lasting image.This paper adopted the text on the history of Shanghai from the modern urban culture, material-based perspective on the three forties reread the novel, trying to find a specific period in which the re-development of Shanghai's urban history, physical space and unique landscape, which restore an authentic "literature Shanghai" image and attitude are different position, perspective view of novelist contrast, trying to dig out those neglected by previous critics of Shanghai "portrait masters" unique value.