Font Size: a A A

A Study On Singing Of The Select Episodes In Opera Cavalleria Rusticana

Posted on:2011-09-13Degree:MasterType:Thesis
Country:ChinaCandidate:N KangFull Text:PDF
GTID:2155360305989437Subject:Music
Abstract/Summary:PDF Full Text Request
The opera "Village Knight" (Cavalleria Rusticana) is Italian composer Pietro Masikani (Pietro Mascagni,1863-1945) representative plays, is also 19 century's ends with at the beginning of 20 century European real principle opera's representative, The opera script adds according to Italian writer GiovaniVerga (GiovaniVerga,1840-1921)the novel reorganization of the same name becomes, is a profound reflection human nature and the social reality tragedy. In play's character image primary and secondary distinct, but has molded Santuzza, Turiddu, Alfio, Lola, Lucia prominently and so on five roles. From angle analyses and so on music, literature, play, in play's character role under the different situation which the play develops, the altitude is molded the profound revelation social reality the successful representation, but on each character role's singer, the different musical part melody and music performance profoundly extremely has also displayed the character disposition, the plot conflict and the contradiction, social reality principle culture exposition and so on, through the character plot's tragic development, this realism opera's representative was finishing by the powerful tragic artistic effects in the world opera history a most important time.In this paper, the true doctrine through the creation of this period features, specific analysis of Mascagni's opera "Cavalleria Rusticana" in the wonderful aria and the dramatic performance characterization, and the realism that this opera masterpiece in the history of the significance of the opera be outlined.
Keywords/Search Tags:Opera, wonderful aria, Cavalleria Rusticana, concert study
PDF Full Text Request
Related items