Study On The Character Image And Sing Artistic Processing Of Santuzza From P. Mascagni's Opera "Cavalleria Rusticana"

《Cavalleria Rusticana》by the Italian composer Pietro Mascagni ? (Pietro Mascagni ,1863-1845) Creation of a one-act opera, opera as a true pioneer for the doctrine is also famous for his. Figure in the play Du rural youth, lover Lola, three of the feelings of infatuation Cunnv Sang Tuzha disputes into the development of the entire opera, will be living at the bottom of the normal life and inner world, in the most primitive The most straightforward way to show the audience, causing a strong impact of dramatic effects.In this thesis, the image from Sang Tuzha drama, music, images, analysis, and concert deal with the main arias, etc. to analyze how to shape this vivid opera characters. In addition to full introduction and conclusion, is divided into three parts: The first chapter introduces the Mascagni opera and the real Marxism, and "Cavalleria Rusticana"creative background; second chapter to the role of Sang Tuzha to analyze, from Comedy image and start to discuss how the main aria shape the artistic image; third chapter concert talk Sang Tuzha the completion of treatment. Gave us the classic characters have a better understanding, thus contributing to the image of the re-creation.