The Paragon Of Eastern And Western Musical Blendling

This paper analyses and summarizes the style of the music as well as the meaning, which bases on the research of Ma Sicong's work Sixiang Qu's theme-choosing, expressing ways and the using of music skills etc. Taking Ma Sicong's creative style of "nationalization" as the representative, concludes the natural features of chinese violin music creation and its developing process. Through the research of the chinese violin works can make us realize the importance of dealing well with the relationship between eastern and western music culture. Then it will provide some beneficial enlightenment to make our country's music culture mix well together with the western's.The whole paper can divide into three parts:The first part, starting with the creative process of the Sixiang Qu, explores Ma Sicong's music style about Chinese violin creation, and summarize the masterpieces and its main features on his nationalized way in each period. The second part, by elaborating the Sixiang Qu's historical status on the way of chinese modern violin music creative development and the embodiment of chinese violin music nationalized developing way in details, then sum up the total features of chinese violin music creation. The third part: mainly expounds that Sixiang Qu,s successful experience, as the product of eastern and western music cultural blending, to tell us the chinese violin music creation that should be on the basis of constantly learning and taking examples by the western music cultural, then unearth the chinese national cultural pith thoroughly, and create the music works which contain our own traditional music cultural features.