The Study Of JiaZhangke's Film Works

Born in the 1970s, he is a young and prolific director in the growing stage of creation. During the thirteen years (from 1996 to 2008),Director Jia Zhangke created 11 story films and four documentaries, which occupied a special position in Chinese film field. He contributes a great for the development of the Chinese film industry. At first, Jia was the underground director, and start to cooperate with the famous actors, ChenChong, LvLiping. During his developing process, he becomes more and more famous in the international film field. At the same time, his audience in domestic market is expanding. However, his work is not reaching his prime. In this pluralistic era, he insists on his own creating style, an independent self, and he outsides of their own souls, and entirely expresses the director's own ideas and abilities.The current domestic comments about Director Jia are more from horizon view instead of the longitudinal one, and full of emotional research without theoretic. Based on it, this paper firstly attempts to tract the creating way of his works and summaries characters of Jia's films. Secondly, the paper summaries his realism of his works and takes the authenticity of time and space as the core, reflecting Andre Bazin's ontological point of view, and the entities aesthetic view of Siegfried Kracauer. it not only explains the characteristics of the film is true, but also respects the film's nature. Through prosaic interpretation of the truth of life and art, his works intertwined with the real new dimension to the real form. In addition, this paper makes more accurate theory locating about his current writing works, analysis his works and then studies the formation of his writing style.Although there are many uncertainties in his creative road in the future, he only insists on his usual documentary style, making the actively explore into the image language, focusing the common people's lives with his unique lens. The clean and simple language embodies the thinking on the changing image of China, precisely because JiaZhangke's film is one of Chinese cultural symbols. Therefore, according to the long-term development of Chinese film industry, his work is worth studying. In addition, the formation of his works will have a positive impact on China's new generation of directors, while his writing style better inherited and developed the film's humanistic tradition of china film. All these provide the world another visual door to understand China and also impact a far more reaching significance on the development of film industry.