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A Study On The Development Of Woodcutting Style In

Posted on:2014-03-11Degree:MasterType:Thesis
Country:ChinaCandidate:X Y XiongFull Text:PDF
GTID:2175330422459282Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
The artistic styles of reduction block print wood cut in Yunnan change with thedevelopment of the creation course and evolve differently at different times. Bysummarizing the styles in the development of reduction block print wood cut inYunnan and taking its formative period as the point cut, it is easy to draw theconclusion that the presentation styles of reduction block print wood cut in Yunnanhave experienced aestheticism, romanticism and mysticism. At the mature stage ofreduction block print wood cut in Yunnan, multiple styles coexisted. But today, ithas turned to a stable period of its current style. This paper takes the participationperformance of reduction block print wood cut in Yunnan in national exhibitions asthe major development process to explore the evolutions of its styles. Meanwhile,some thoughts and suggestions are put forward according to the depressed state of itsdevelopment. It is obvious that reduction block print wood cut in Yunnan has a weakcontemporary consciousness and does not show enough of the local social patternsand self-reflection. The reduction block print wood cut in Yunnan should be createdbased on the local social cultural environment, mental states and ideology, reflectingmodern life and human beings. In this way, it can reflect the relations betweenhuman spirit, human mind, human beings and the society more accurately. At thesame time, the artistic languages should be enriched so as to free woodcut stylesfrom the stable old state. Only in this way, reduction block print wood cut in Yunnant can be better inherited, promoted and developed.
Keywords/Search Tags:Engraving in Yunnan, Reduction block printing wood cut, representationstyle, The exhibition, development and innovation
PDF Full Text Request
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