Yunnan Local Art Resources In Yunnan Woodcut Print Creative Thinking And Development

Reduction woodcut printing of Yunnan shined a singular light in the internationaland domestic arts circle in1980s to90’s. Its novel artistic forms and individualityexpression obtained the good praise and pursue holds. Until today, reduction woodcutprinting of Yunnan has experienced a “amorous feelings hot”,“relapsing fever”,“seeking roots” ups and downs have been developed. After the Yunnan woodcutcreators’ calmly ponder; under integration of a variety of modern printmakingtechniques and forms, creative ideas, self-expression and individuality ofconsciousness gradually increased; At personal values and aesthetic value of payingmuch attention today, Yunnan reduction woodcut printing also faced with choices andstarted to diversify. This paper attempted to analyze the reasons from the Yunnannative arts for reduction woodcut printing creation of Yunnan between the gold timeand the trough time, explored how the innovation of Yunnan reduction woodcutprinting carries on the practice and the ponder today in the print creationmacro-environment. This paper is discussed in three parts:First part: The fine arts language resources of printmaking, focused on therelationship between the fine arts resources and regional factors, on which directlyand indirectly impact printmaking.Second part: The fine arts resources of Yunnan reduction woodcut printing, mainlydiscussed that due to the various regional cultures to investigate presented Yunnannative culture was also different, different forms and aesthetic tastes were manifestedby printmakers’ selection of regional culture.Finally, through the analysis of specific printmaking our practice, for the currentmissing of the non-material cultural heritage, should be to promote and protect theheritage of outstanding traditional culture of Yunnan, reflected and introspected forthe beautiful, magical, fertile land of Yunnan, also the value and significance atpresent of excellent minority folk arts. This creation based on the Dai HinayanaBuddhism frescoes, witch is a typical representative in Yunnan area, with reductionwoodcut printing and pieces of art technique of expression form to show DaiHinayana Buddhism frescoes, to reflect the artistic charm of Dai culture, furtherelaborated my creative ideas: Based on the native, traditional culture-based injectioncontemporary humanistic spirit in order to enhance the aesthetic and emotionalexpression of creators. Under native culture, the creation of reduction woodcutprinting of Yunnan will have more creative self-confidence and explosiveness.