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The Artistic Features And Inheritance Protection Of Liuzhou Flower Drum In Guanxian Guanxian County

Posted on:2015-11-22Degree:MasterType:Thesis
Country:ChinaCandidate:Q LiFull Text:PDF
GTID:2175330422974901Subject:Art
Abstract/Summary:PDF Full Text Request
LiuLinHuaGu, also called liuLinyangko, produce the early years of the qingdynasty, originated from GuanXian grahame town of the name. It deduce storyoriginated from "the water margin", is hebei province name Lu Junyi fordonation can harm the WenZhan, sung river, wu and HuaGu liangshan makeupartists in name mansion, of giving save Lu Junyi. Sing their perseverance,dauntless heroism of the form of performing martial arts action combined withfolk song singing, with long belt, waist drum and small gong accompaniment,singing and dancing. More than four hundred years, has been circulating inthe regulation of generation, after folk artists processing, absorbingessence, become a flower of folk culture. Grahame HuaGu unique style, the "longtake drum", is only known so far, the drum yangko son well is. Its sound anda performance uninhibited and provocative, momentum strong, with a strongcolor martial arts, singingwith strong local characteristics. Imperfect at present due to local laws,regulations and policies, the aging of folk artists, shortage of special funds,to grahame HuaGu box to protect heritage, the existence of such problems asthe research lacks a strong team, make grahame HuaGu facing the absence orand the plight of endangered, so the grahame HuaGu inheritance and protectmore imminent.This paper study mainly USES the literature material method, fieldresearch method, case studies and other methods of grahame HuaGu were studied.The origin of the thesis of grahame HuaGu form done more comprehensive researchand development, as well as the grahame HuaGu art characteristic carried onthe thorough analysis, and the grahame HuaGu art heritage the problems facingand way of thinking, for the protection and inheriting the traditional folkart has important practical significance. Paper consists of the followingparts: Mainly from the grahame HuaGu geographical environment and thehumanities environment, analyses the grahame HuaGu forming performance ofhistorical origin and its form.This section of grahame HuaGu art characteristic has carried on thedetailed discussion. Analyzed grahame HuaGu modelling and dance moves of thecharacters and the continuity girl. Second, from grahame HuaGu tunes on thestructure and the lyrics singing illustrates grahame HuaGu music features.Review and summarize the grahame HuaGu way of inheritance and theproduction present situation, finally, grahame HuaGu the non-materialcultural heritage also puts forward some ideas about the survival anddevelopment, both for the heritage protection and development grahame HuaGufor reference, for the intangible cultural heritage grahame render HuaGudevelopment lay down a little.
Keywords/Search Tags:LiuLinHuaGu, Intangible cultural heritage, Heritage protection
PDF Full Text Request
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