The Narrative Tactics Of Traditional Ethics In China 's Disaster

Chinese disaster movies have been different from the Hollywood disaster movie,It neither stunning stunt scenes and audio-visual effects nor proud of the boxoffice.However, these did not affect the Chinese disaster movies development andyield. Today, the domestic disaster movies has gone through half a century, graduallybegan to take their own way of development--"family ethics" and "relief".So, how to finish on the "family ethics" and "relief" statement? This is a problem.This paper tries to analyze this problem from the angle of narrative and ethics.In the part of introduction,it introduces the expression of Chinese disastermovies ethics demand, as well as the academic status of Chinese disaster films, for thedefinition of the disaster movies, and made a classification, to give the reader anoverview of the research background and general introduction; the first chaptermainly introduces the theory sources of Chinese disaster movies ethics, and Chinesedisaster film in the development of the status quo and ethical significance, these is thereason and necessity for Chinese disaster movies; the traditional ethics of Chinesedisaster movies and TV drama in the second chapter, the third chapter and the fourthchapter, from the perspective of narrative structure, narrative elements and digitalimage analysis of the text, so as to answer Chinese disaster film is how to express"ethics" and "rescue" the problem.Through the analysis and discussion of the four chapter, this article attemptsfrom the narrative structure, elements, digital image perspective of Chinese disasterfilms how ethics statement for this problem.