Japan 's Kano' S Landscape Painting Under The Influence Of The Southern Song Dynasty

Ancient Chinese painting art have brilliant achievements, a long history，it is animportant part of Chinese traditional culture. Extensive and profound Chinese civilization hasits own unique nature, artistic value and aesthetic view, on this basis, the formation of theChinese painting’s unique thinking mode, language performance and painting style, is theheight of the national character of the Chinese nation in painting. Of Japanese culture in theancient Chinese civilization has had a huge impact on the breadth and depth, involving everyaspect of social life. Especially the charm of ancient Chinese painting and artistic value whichmakes the Japanese worship and admits deeply.Due to proximity in geographical location, thecontact between the two countries was facilitated. In history, Japanese artist had been to Chinato study painting, Chinese culture and art had become the copy for Japan to create its culturalform. During Tang and Song Dynasties had formed several times the climax of learningChinese painting in Japan.Especially in the song dynasty, Imperative-court decorative paintingin Song Dynasty was the peak period of Chinese imperative-court decorative painting,Completed the transition from “panoramic composition” to “corner landscape”, there are manyreasons for this change, it is the turning from external representation to inner aesthetics ofpeople’s concern under the influence of philosophical thought. These concepts also deeplyaffected the Japanese painting. Japanese Kano School is the painting school with the longestexisting time and most influence in Japanese painting history. Its painting style absorbed thenutrition of imperial-court decorative painting in Song Dynasty and Zen painting of monks. Inaddition, it carried out extensive transformations on the composition, subject matter, andChinese ink painting technique, etc of imperial-court decorative painting as per native aesthetichabits of Japan, On the basis of the Imperial-court Decorative Painting in the Southern SongDynasty imperial court decorative painting formed its own style of painting. Japanese KanoSchool’s previous style ink flavor the foot, more like the copy for Imperial-court DecorativePainting in the Southern Song Dynasty。What is known to the world concerning Kano School isits resplendent and full of decorative interest barrier screen painting. Such resplendence has themagnificence of Chinese green landscape painting, and also the generosity of imperial-courtdecorative painting. The formation of this unique style is very worthy of study. In thecontemporary, the comparative analysis of domestic and overseas scholars on Japanese KanoSchool’s painting style in various periods of development research is relatively scarce and alsoignored the influence of special family continuation mode of Kano School. It has a very important significance on Chinese and Japanese painting research. Therefore, the author hopesto systemize and analyze the factors promoting the formation of landscape painting of KanoSchool. Through comparing and Imperial-court Decorative Painting in the Southern SongDynasty at all levels, and discussed the various phenomena reflected by the behind. Makesevery effort to fully show the legendary painting style and its relation with the origin anddevelopment of imperial-court decorative painting in the Southern Song Dynasty, on Japanesepainting as a branch of Chinese art research do a bit of addedBasing on the research achievements of various fields, this project mainly applied a series ofcomprehensive research methods including comparative analysis method, product analysismethod, literature reference method, work reference method, historical research method andlinking theory with practice to strive to apply multi-perspectives and multi-disciplinary transversecrossing to research painting art.