The Technique Comparison And Creative Application Of "Four Seasons Landscape Scroll" And "Xi Shan Qing Yuan Tu"

There are many similarities between Chinese and Japanese ink painting in terms of painting concepts and techniques.China has played the role of spreading culture to Japan for a long period of time,and the culture and art from China have been recombined,nourished and exerted to the extreme in Japan.This paper mainly through to the Japanese painter of song dynasty monk sesshu,Yang and China these the research status of data integration,make the sesshu Yang,such as the due position in the painting history reduction,and analyzes the sesshu Yang's representative works such as the representative work of the four seasons scenery volume with these the similarities and differences among the khe sanh qingyuan graph,then the sesshu Yang and these painting techniques such as comparative study,Discuss its correlation and difference.The author elaborates the evolution process of Japanese ink painting under the influence of Chinese culture by combing the influence of landscape painting works in the Southern and Northern Song Dynasties on the painting techniques of Sesshu and Yang.Finally,Yu transformed the knowledge and skills he had learned into his personal ability,and tried to explore the existing value of ink painting in the current painting of the Song Dynasty in his creation practice,and explained the results of his works.