Mo Is The Exploration And Research Of The Restoration Of The Figure Of The Dragon Landscape

Ming Dynasty of Mo shi long painted this painting of "landscapes chart" is the one museum of ancient Chinese calligraphy and paintings on silk. After analysis on the picture of the status quo,Screen severe dust, dirt,Large dusty on the picture,Covered with the painted surface of the core can not afford to sweep, cause the screen dark, almost became a taupe silk, ink is not very clear, the whole picture is hazy, lifeless.And we can see through the screen, this paintings had one previously repair, painting the whole body had all broken, Many places need incomplete repair, but also a more complete pictorial saved, mostly because of the repair painting Zhe xin Streak relapse,At the same time due to the age-old painting quality silk has a serious heart aging, quality silk warp and weft structure has been broken damaged, silk become fragile, easily broken, unbearable Merak, and brittle hair in a long time, the water sticky. The force will make the picture a little heart cracking. The first parts of the broken heart painted especially serious, such as multiple breaks lip curled damage.Repair of such paintings for me is the first time, is a more typical example of the rescue difficult. Difficulties include reinforcement repair, cleaning, exposing all aspects mounted, full-color, etc., through multi-channel restoration process,so this painting of shilong Mo "landscapes chart" resumed the original style, to reproduce the old style. Maximize the retention of the artistic and historical value paintings.This article is based on Ming Dynasty of shilong Mo "landscapes chart" traditional techniques combined with modern science and technologyas as the basis of mounting repair process, by describing shilong Mo "landscapes chart" the piece of old paintings of the repair process, elaborate and analysis several key aspects of the control in the repair prosess, and fix problems found during the corresponding solutions and finishing written to explain the theoretical knowledge in the form of language from mounting repair work experience at the same time to want to repair a similar painting work colleagues provide some useful experience, and secondly, we would like to explain the repair of old paintings must treat specific conditions, can not be generalized, blind repair.