Nakajima Tetsuya Also Film Research

since the ena of last century, Japan’s new film movement nas emerged many outstanding film director, they convey the new ideas of Japanese film to the world with their unique film language. A member of the research object in this paper is Nakajima Tetsu’s new film movement in his works, but the director and other new film movement in the form and content of different. So far, the director of the film are 7.This paper is divided into four chapters to analyze and research the Nakajima Tetsuya movie, and try to summarize some director Nakajima Tetsuya film reflects in the content and form of intent and cultural connotation. The first chapter is the introduction part, firstly introduces the related information of Japanese film international influence and Nakajima Tetsuya; secondly, briefly introduced the research status of the Nakajima Tetsuya film in the domestic academic; finally, the author of Nakajima Tetsuya film and the significance of the research. The second chapter is on the basis of Japan’s new film movement in the direction, through the comparison and analysis of Nakajima Tetsuya pointed out that compared to other new film movement’s atypical is the audio-visual language and dramatic conflict advertising more intense movie script with. The third chapter system analysis in Nakajima Tetsuya’s films. The narrative structure, mainly combined with the nonlinear narrative and narrative. The role of setting, the images of characters to express the relationship between the relationship between family members and gender. The theme of expression, through the typical character in the film of good and evil of human nature to dig in. In the construction of the spiritual world, Nakajima Tetsuya emphasized the "superego" part, suppress the negative part of the individual "I" in the "superego", the implementation of the standards for the independence of personality. Nakajima Tetsuya’s painting style gorgeous and delicate, in stark contrast with the gloomy life often in his films, formed a unique style of Nakajima Tetsuya "". In the fourth chapter, the work of Nakajima Tetsuya in the "author" of the content to carry on the thorough analysis, mainly in the works of Nakajima Tetsuya, the recurring images of various forms of art unique understanding and reference, the lens depth of field use, for youth violence, works of the female image, advertising Picture 6 detail. On the one hand, Nakajima Tetsuya’s film in the creation technique changes, should be analyzed from the perspective of development, to make a judgment. On the other hand, mode of his movies, immobilized tradition can also be in-depth study, for those who provide support for his philosophy research.