The Application And Presentation Of The "Flower Drum Dance" Of Miao Nationality In Xiangxi In The "Cuicui" Of The Dance Works

Xiangxi Miao "flower drum" has a long history, has even been rated non-material cultural heritage, this paper attempts to from the sights and sounds of Xiangxi Tujia and Miao Autonomous Prefecture folk songs of the mining of Xiangxi Tujia and Miao area "flower" inspired by the dynamic language. The were collected and refined, and the writer Shen Congwen’s works of "border town" extracted "Tracy" the image, as a dancing characters. In the process of creating the Cuicui the characters and how to select the material to the characters in literary works, the building became dance piece "Tracy"; how to in order to highlight the dance works in Cuicui the characters, the author thinks that Xiangxi Miao drum dance material selection and use is the key. So this article is to write and explain the focus is on "Cui Cui" this work of the Chinese Xiangxi Miao flowers encouraging the use and presentation. Through the deep exploration of Miao Nationality in Western Hunan Flower Drum Dance material and analysis of material in the works by, accomplishes "Tracy" the character image molding, and aims at the presentation of "Tracy" works, try to Xiangxi Miao drum dance dance material vocabulary mining.This paper analyzes the three parts of the introduction, text and conclusion..In the main text, the author first analyzes dance piece "Tracy" the cause of creation, the Miao Nationality in Western Hunan Flower Drum Dance material are introduced; secondly, of "Tracy" the works are introduced, including characters of dance works establishment and introduction; finally, the focus in the dance language and related design vocabulary analysis, expounds application of Miao Nationality in Western Hunan Flower Drum Dance material in the dance piece "Tracy" and presentation.