Civil Inclusiveness

This paper is standing on the "Fushun Manchu yangko dance form" language perspective, multi-level discourse constitute its multi modal analysis described in the. But the study of the ultimate goal is not only a lot of problems it excavates the history, folk custom, religion and ideology, etc.. Because of this problem in sociology, anthropology, ethnology and other disciplines in the field of more detailed, thorough. The purpose of this study is to stand in the "folk countryside" social space, to find a different from folk metaphysical social ideology of things. In other words, is in the small folk traditional secular culture, traditional glass out of court etiquette culture. Standing in the dance of this "body language" from the perspective of disciplines, to study a gene and semantic their body’s. Although not a dance and writing mode, but a similar characterization. Writing is a text as the carrier, thought through; and the dance is the body as the carrier, the emotion as through. They also completed a thing, that is, ideographic, media ideographic. Some people say "dance world" methodology. The author thinks that the dance world has methodology. His methodology is yourself. I prove everything. For example, some scholars doubt the Manchu dance has been with the "expel the invaders" banner Ashes To Ashes. But in the present Manchu yangko dance performances we can still through its body language that Manchu yangko dance is not lost, it still exists. This is the dance of the methodology. Its body language is not made of other subjects. The original intention of this paper is to stand in the folk tolerance is tolerance, to peel off the past, face up to the present, planning for the future.This paper is finished in the construction of four large sections of the next. The first chapter is mainly to line drawing form, and lead the reader shallow know Fushun Manchu Yangko performances, space occasions and performance form. The second chapter is on the typical action and characters of Fushun area Manchu Yangko ritual costume can point out the hair, to excavate the connotation. To distinguish between two yuan cultural separation behind a form which is convenient for the. The third chapter is "to artists of various genres between Fushun area unique" cultural characterization of starting, to explore its behind and fully proves that the capacity of strong folk. The fourth chapter is standing on the basis of the three chapters to be summarized. Based on "what", with "why" back.