Lou Ye Film Research

The influence of Western thought and living environment film by Lou Ye tend to focus on the edge of city life figure in the creation, used in a casual manner record, in a very natural state presents the most realistic character of this survival of the state, often in seemingly plain boring story to the audience unprecedented soul tremor. Throughout Lou Ye’s creative process, from1990 directed the first film "Weekend Lover" to the end of "massage" in 2014 a total of nine works, although much work, but Ministry of classic. From the "Suzhou River" in the fragmented narrative mode to "Summer Palace" vaguely realistic concern, and then to "Spring Fever" in the face with the performance of same-sex topics. Lou Ye controversial, walked a difficult road, Lou Ye is by virtue of its sensitivity to capture the spirit of the people of the city to form a unique style of Lou-style movies. The film won several major awards at home and abroad, including the Taiwan Golden Horse Awards, Venice Film Festival, Cannes Film Festival, including in the international film shows the unique charm of Chinese films.In this paper, Lou Ye created nine films as research subjects so far, after modernism, movies ontology theory, drawing on narrative theory, realism, and some new wave aesthetic characteristics of the subject matter of the works of Lou Ye, narrative strategy, image comprehensive and systematic study of languages. First chapter of the thesis of Lou Ye own upbringing and their works do a brief introduction and description of the purpose and value of this paper; Papers from the main part of the second chapter of cultural fantasy of urban life, the edge of life and character of relations between the sexes in the face of frustration revealed three summary Lou Ye personalized movie theme style; The third chapter subvert the traditional narrative pattern, break the conventional narrative perspective and narrative time and space messy intermittent three aspects of the film’s narrative strategy to do a thorough analysis to explore the wide range of narrative means Lou Ye; The fourth chapter of Lou Ye film image style made a key analysis, including Lou Ye beloved hand-held photography, leaping clips, natural casual long shot, dim lighting solemn tones and true feelings monologue, expounded Lou Ye film unique personal artistic expression; The fifth chapter is the basis of the previous chapters of the movie style works Lou Ye have a grasp of the macro, including the film conveys the anti-urbanization of humane care and individual consciousness and thus concludes the director Lou Ye reality Aesthetic Style; The existence of an objective analysis of Chapter VI Lou Ye film with today’s movie market realities and social value, and make some constructive suggestions for its future development.