Chinese Folk Dance Character Composition

Chinese Folk Dance is the most important in dance research in China. The importance is not only can provide material for the study of the Professional Folk Dance continuously, but also it possess own sociology, ethnology, anthropology, culture, aesthetics, history, semiotics and other academic research value. The focus must be on the BODY of this entity, if using the dance body language perspective research changli yangko,Girl, Buffoon and Kuai,three characters of body composition, multimodal discourse expression and textual discourse, because of the dancer’s body is not only body. It is made of material and spiritual, biological and symbolic, emotional content and form manifestation.In this paper, the first chapter mainly discusses CHARACTER is made up of the trinity of body---the body in real life, performance and history of life. Because, only to understand the body, then can understand the Girl and Kuai’s discourse differences after their sex reverse standard body.The second chapter tells us the Changli Yangko Multi-mode have been developed three major changes so that the formed have a solid multi-modal expression eventually.Using Multi-Mode Discourse Analysis System analysis the three CHARACTER’S body expression way, including the media and forms level,the contextual and ideological level, the interpersonal meaning and textual level, etc. The third chapter is about the whole textual of discourse analysis, Any words are structured, but the expression is not set in stone. Regardless of how the folk dance turn endlessly, the core is the life value under the daily aesthetic. As long as the folk dancers are still living in the folk, not out of the Flok Local Context, Chinese Folk Dance will be not out of its final appeal.