Is The Shelves Of The Media, Or The Media Under The Shelf? Th

The main content of this thesis is about the collation and studies of the origin,development, current situation of the German contemporary figurative painting underthe influence of the current image media. With the arrival of the abuse ofdigitization and chart-reading time, the aesthetic manufactured by the powerfuldigital image media was forced into everyone’s aesthetic ideology, the use of imagetechnology and digital technology has become the indispensable basic skills ofartist. However, how to find a unique language for their art with digital imagetechnology becomes the subject that every painters have to face. based on a briefintroduction and research of the positive impact on the German multimedia art withthe development of image technology, the changes of the public aesthetic on accountof image media, the application of figurative painting vocabulary reflected fromcharacteristic of the German nation thought, and the main artistic creation way,the thesis investigate the relationship between the German contemporary figurativepainting,the mass media and The status of subject and object between traditionaland emerging technology skills, and the possibility of expanding the new orientationof painting field under the present context.