A Study On The Series Of Modern "Rewriting" Series Of Meng Jiangnv 's Story

The story of Meng Jiangnv "rewrite"type, which is spread millennium "Meng Jiangnv" saga series works as a theme, it is the Xiong Fuxi’s Great Wall of God(1925) as a starting point, there have been Zhang Henshui’s Meng Jiangnv (1954-1956), Wu Zuguang’s The Legend of Meng Jiangnv (1988), Jing Ge’s Folk Tales (2001), Lu Xiaoya’s Meng Jiangnv Breakout (2002), Tan Yi and Yi hang’s Meng Jiangnv (2005) and Su Tong’s Bi Nu (2006)and so on. As a "rewrite type"series of works, it uses "Miles looks for her husband" and " Crying on the Great Wall" for the episode prototype, its story and characters of "flow" throughout the course of half a century of the history of Chinese literature, it becomes one of the model in the history of modern Chinese literature in the few "rewrite type" works. This article is intended to study the rewrite works of Meng Jiangnv’s story in the history of Chinese literature, and research the artistic content and flow of Meng Jiangnv’s image, talk the success and failure of rewriting through text reading.The paper is divided into three parts. The first part, by Xiong Fuxi, Zhang Henshui and Wu Zuguang’s rewriting, Meng Jiangnv’s "lady" image get reshape. Rewrite at this stage strengthen the theme and plot, the story is a continuation of the tradition. However, due to the different literary ideals and cultural context, the theme of "Re-type" work is somewhat biased, or to highlight Meng Jiangnv’s faithful, or highlight her resistance. Overall,rewrite showing the trend of lack legendary fade and artistic imagination.The second part, the rewrite of the new century, Meng Jiangnv become a "lay women", for the pursuit of the so-called life toward destruction. Rewrite who under the influence of postmodernism, have writing skills and the use of modern techniques to deconstruct the story of Meng Jiangnv. Meng Jiangnv’s image becomes ambiguous and uncertain, writers pay attention to deconstruction and ignore the construction, vaguely established Meng Jiangnv’s "lay woman" image, which itself is just a tool to doubt history. At this stage,the rewriting of Meng Jiangnv’s story achieve a comprehensive breakthrough in the arts.The third part, in the background of Restatement of the Myth", Meng Jiangnv completed the transformation from the person to the "God". Su Tong’s rewriting work, Bi Nu, mainly select the plot of "Miles looks for her husband", Meng Jiangnv not only has the quality of faithful and resistance, but also becomes a "god" because of the magical crying.Under the impact of the new doctrine of myth, Su Tong using ancient mythical thinking, completed Meng Jiangnv’s story from folklore to myth. On the basis of the traditional theme and plot, Su Tong again started questioning the meaning of human existence in the story.