Research On The Art Of Wonders Of Low Carbon Film

Spectacle is one of the basic elements of the contemporary film art. Throughouttoday’s ambient, films full of spectacles have been accounting for a larger proportionin the market, however, quality of the films has not been improved as the quantity has.Spectacle as an aesthetic element has been adopted widely in most of the films.Nowadays, these films are always having high-cost in different aspects. Highexpenditure has been spent for filming these movies; meanwhile, in order to get thespectacle, there is also a high-cost for the environment and society. To find out a newand environmentally friendly way to film the spectacles, Professor Ma Lixin inventsthe new theory called “low-carbon aesthetic and low-carbon art”. The thesis based onProfessor Ma’s theory, using typical domestic and foreign films as material for thestudy. The author integrated use three methods of empirical-research,speculative-research and comparative-research to study the low-carbon spectaclefilming art. The dissertation firstly explained and explored the so-called “high-carbonaesthetic filming”, this is a way to make movies with high-cost for both the investorsand the environment. The dissertation further gives out the reason why there are somany producers liking to make movies in this way, and how they can change the“high-carbon aesthetic filming” way into “low-carbon aesthetic filming”.The false of art is a feature of high-carbon aesthetic filming. And theexpressions of high-carbon spectacle are as follows. Firstly, the spectacle filming,which is mainly the picture of the sensory stimulation, act as sex, violence and antics,the purpose is seizing audience’s physical senses; secondly, filming spectacle’s falsecontent act as designing to show spectacle while offending against logic; thirdly, itacts as false set-up performing.The aesthetics feature of low-carbon spectacle filming is true. The maximumvalue is through the corporation of directors and actors, using the filming art truth toshow objective reality. The objective reality is the nature of the low-carbon filmingspectacle. It comes true through subjective reality，surreal real and intuitive way toreal. Through the performance of low-carbon spectacle under the artistic truth, pointsout that low-carbon spectacle feature--in the form of subjective truth under the low-carbon spectacle is an objective reality the audience by means of metaphorcomprehension. And Surreal real under low-carbon spectacle is shaped by technicalmeans beyond the realistic way to make the audience feel the objective reality. AndIntuitive subjective truth is real and surreal real auxiliary means, and intuitive truth isalso the most direct way of spectacle to accept, such as dialects.The prerequisite of the low-carbon spectacle design is the fundamental elementwhich influence the birth of the low-carbon spectacle filming, the main influencefactors for: need low-carbon spectacle the script, the script is the source of the film;what’s more, low-carbon spectacle need to select the most appropriate way,technology is the only determinant for film and television services rather than. Thirdlylow-carbon spectacle need low-carbon performance, performance need actor "avatar"for the role rather than imitate; Fourthly, choose appropriate expression of filmlanguage, film is a service for the audience, the expression of the filming spectacleneeded to build on the basis of the audience’s cognitive.The aesthetic value of the low-carbon spectacle filming is from the aesthetics andart on the basis of low-carbon, further from the independent film and television art ofliberal emotion value and the scale of the special provisions of the freedom and health.Its aesthetic value mainly displays in: a reveal true human nature; and promptingthings universal law; spreading human outstanding culture; promoting artisticinnovation; stimulating human’s passion for beauty pursuit; to promote humanphysical and mental health.The design strategies of the low-carbon spectacle filming including dialogue,action, sports lens, lens blank, surreal five research areas, which elaborate separatelyfrom the aspects of the influence mechanism and art criterion on low-carbonformation.All in all, the low-carbon spectacle filming art need to follow the low-carbonfilming art aesthetic principle, abide by the artistic truth. Works spectacle in thedesign such as characters, plot, dialogue, actions and relations, scenarios, images, allmust conform to the law of causation and the possible law and in harmony with theworks of the natural environment and social environment.