Research Of Low-carbon Animation Art

Animation art as an important part of China’s cultural industry is developingrapidly.throughout the view of these films and television works,the quality heights of which worr-ies us. Present a common and serious trend of high-carbon, such as"violent, vulgar, addictive,and false" and so on，which causes varying degrees of physical and mental health damage to thepublic. Based on the theoretical basis of "low-carbon aesthetics"and “low-carbon art”, with manydomestic and foreign animated film classic art text for the study of art materials,and the researchmethods which use the integrated of empirical research, theoretical research, comparativeresearch. This Paper analyzes the phenomenon and causes of the high carbon on contemporaryanimation art,and clarify the reasons leading to high carbon animation problem,and discusseslow-carbon path of animation art and its low-carbon aesthetic concepts, whose aim at puttingforward low-carbon strategies animation art.Nowadays animation art exhibits high carbonation trend, the text of the main features canbe summarized as: violent, vulgar, Pan digitized and addictive.Violent mainly for text contains alot of violence, gore elements.Vulgarization of art is mainly the story of naive, vulgar, roughproduction, etc.Pan digitized text refers to the use of too much emphasis on technology, ignoringthe animation itself imagination and artistry.The means of addictive is that videoworks,including animation film and animation games,emphasis on the visual sensorystimulation too much, in order to lure audiences fascinated by this phenomenon even reachednostalgic produce can not get rid of the state,The animation is inspired viewers an immersivetype of free emotions.The causes of high carbon animation includes four aspects: The First, theaesthetic qualities of creators are weak or absent. The second, creation and production skills ofanimation art are weak Third, there are short board on the elements of animation produced;Forth, Animation art creation is alienated seriously by the market.The paper argues that the basic principles of low carbon animation art is to comply with theprinciples of the art o“f low-carbon aesthetics” and “low-carbon art”.The first is the creativestrategy, specifically refers to to the story with a plot meaning selection,the classic culturedigging and digging the story of few people knew.The second is the narrative strategy,specifically refers to the narrative structure should be logical, narrative skills to be innovative,end of the story to be appropriate and consistent with reasonable.The third is the role of shapingpolicy specifically refers explicitly clear roles, character design to identify high, fresh real soul,convincing behavior.The fourth is the lens of language. Specifically refers to the clever use of sound, excellent picture composition, flexible use of technology and so on.The combination ofthese aspects makes carbon animation into a unified whole.These four strategies are built on thebasis of compliance with real artistic unfolding, which is the creation of strategies to bediscussed in this chapter carbon animation art.In a word, low-carbon animation art must followthe principles of true art and specific narrative, scenes, characters, language and other elementsof visual immediacy to use.In short, low-carbon animation art must follow the basic principles of the art of real andpractical application of specific elements of the narrative, scenes, characters, and otheraudio-visual language. So true works of art by implementing intuitive and subjective reality, andthus achieve a deep objective truth, that is the true human nature,that is the external senses andinner psychological, emotional and rational perfect combination of sensual pleasure and thusbring rationality to meet the aesthetic subject, get one kind of freedom to cultivate emotionaltype.This is to make the external senses and inner psychological, emotional and rational perfectlycombine to bring sensual pleasure and reason meet,and make the aesthetic subject obtain amold-type emotional freedom.