In this paper, the author describes the problems encountered during the etchings record, from the "time traces" perspective to analyze the author traces the language selection and etchings on copper printmaking connotation scrutiny. The first aspect of the elaborate etchings in the production process, by changing the length of time left corrosion techniques different picture effect traces, thus establishing personal marks the completion of the language in practice. A second aspect of personal creative thinking at the time set forth in precipitation, recognizing the etchings of the show to the audience of "trace" is the spiritual content of the work. The third aspect is directed to "trace" the re-examination. |