The Application Of Natural Interest In Living Pottery

China is the hometown of ceramics and ceramics is also a symbol of the wisdom of the Chinese working people. In the history of ceramics, “tao ci ”are the general term for pottery and porcelain together. Pottery invented in the early New Stone Age with longer history in China than porcelain. From proto-pottery to painted pottery, the earliest pottery art of life came out. Then, working people continued improving the technology of firing pottery and porcelain with the wisdom to create miracles one by one. People made colored glazed pottery in the Tang Dynasty, celadon in the Eastern Han Dynasty, white porcelain in the Northern Song Dynasty to the five famous kilns in the Song Dynasty. Ceramic technology in the Song dynasty reached a high degree of perfection and its brilliant achievements drew world attention. There are five famous kilns like Ru, Ding, Ge, Jun and Guan(the official) kilns. Blue and white porcelain appeared until the Yuan Dynasty and painted porcelain came out in Ming and Qing Dynasty gradually. The history of development from pottery to porcelain is also the evolution from ceramic material and decorations of living ceramics. There are more new materials and new processing technology than we can enumerate. The word " Living Ceramics " concept is constantly deducting. More and more pottery works appear in people’s field of vision at a rapid speed, and go into people’s life in big strides.It was not until the twenty-first Century that the pottery and ceramic designers and artists began to study living ceramics. With the rapid rhythm of life, fierce competition and all kinds of pressure, people begin to quiet down to pursue leisure life pleasure. In terms of current development, people are ardently active for the ceramic art spirit, so many artists and producers are thinking about how to use the medium of life ceramic art, how to integrate the beauty of the nature into the pottery art of life and how to coordinate relationship between the pottery art of life and the social aesthetic. Artists are going to act on the facts to fully demonstrate living ceramic on the priority of aesthetic and practicability and make ceramic full of spirit and deep connotation. Those are the most imperative questions today.